loose xenharmonic blues keyboard improv on a modified arabic scale

Ideas and patterns, especially in music, comes immediate, and often as quickly disappear - as if they were not there at all. That is why a true Knight Of The Music is always ready. In the modern sense, this means that his studio all the time is…

Ideas and patterns, especially in music, comes immediate, and often as quickly disappear - as if they were not there at all. That is why a true Knight Of The Music is always ready. In the modern sense, this means that his studio all the time is…

from "the Hardest Blow" featuring vocals from Tess Savigear and solo guitar from Kavin Allenson It’s name is sadly the same as me, without me It cannot follow through doorways, the same way Just saw the rainbow fall over It’s game remembers…

This piece is part of a review of John O'Sullivan's book The Mathematics of Music. You can read part one here. http://chrisvaisvil.com/?p=317

defies description

an acoustic guitar played into a mic. compressed, fast lookahead limited, then track quadrupled. there are literally buffalo across the street from my new place. They are very grounding.

just warming my cockles

A mash up of pieces of Norm's "Reformation" and Underwood's "Fuzzmachine" tracks, heavily filtered and effected.