Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
It's easy to miss the music and percussion in this track because of Reg's outstanding vocal - excellent cover all round guys.
Nice bit of glass rubbing at the end there Chris!
What is that sound?
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me.
Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
You did well with this Chris, it is really bizarre, just like a weird dream! I like the tinkling on the ivories and the strange meeowing sound of the guitar together. Works really well!
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Well, I have been dying to hear this one!
Sounds cosmic to say the least! Nice modern sounding approach with a very sexy rhythm. It's great Chris! Love it!
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
did a remix of latest B-52s (ex B-52's) song "Funplex". i admit i didn't really take the time to polish this, so it might have some flaws here and there, but it was fun to do and after all, is this not what matters most? :)
and you can…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments:
This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
Backyard Ghost sent me something to work on...i added my own touch and arranged it...i sent it to him and he added another of his touches and rearranged it and You've Had My Tears is the end result...we both love this collaboration...expect more…
Comments on vaisvil's stuff
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
It's easy to miss the music and percussion in this track because of Reg's outstanding vocal - excellent cover all round guys. Nice bit of glass rubbing at the end there Chris! What is that sound?
HI Vaisvil. very cool rendition. creative in all ways u did this cover and made it your own...great tribute. loved it all the way god bless NEIL .
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me. Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Trippy dreaming.....dreamin....dreami....dream...drea....dre...dr...d.....
You did well with this Chris, it is really bizarre, just like a weird dream! I like the tinkling on the ivories and the strange meeowing sound of the guitar together. Works really well!
Yes, it's a great song. Lovely to hear it again.
Please - this is not the concept I asked her contribution for. I didn't feel right putting her voice up without a credit. But.... this doesn't do justice - I got things I need to do but I will have a better setting.
I know your in there Bethan....RUN!!!....RUN AWAY....AWAY FROM THE LIGHT.....
I loved that album.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Well, I have been dying to hear this one! Sounds cosmic to say the least! Nice modern sounding approach with a very sexy rhythm. It's great Chris! Love it!
Comments made by vaisvil
I can't play it :-0 OR delete it...
Nice - I was wondering where you've been!! - and at least your song plays :-)
Actually, if you wanted, I could try a treatment like Keeping the Peace in Space on one of your piano pieces, if you'd like.
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
cool!!
all of this sounds so real!
wow~~!!
I love this~!! excellent!! How did you get the advant guard sounds?
this is beautiful and moving. I wish I could play piano this well. Awesome work Richard!
Rockin!!
nice piece - good progression - does sound western
this is so expressive, especially once the piano comes in.
if you wish for me to take down my re-mix of your piece let me know.
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
wow. You have captured what St. Casimir cemetery sounds like at 4 am on a spooky fall night...
Man alive!! this is astounding!! what a trip!
As for the song icon for Don't Look Down - a friend made it for me and I am not sure what he used. Subway is a good bet.
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments: This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
this is wonderfully sad and mysterious!
beyond just excellent! This is a trip through space to another place, time, and existence! I can't say enough!