Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
I read about the Duodene in Doty's book and wanted to try it. I took the opportunity of Margo's scala formatted duodene on the nonoctave forum to toss it into fractal tune smithy and improvise with the tuning.
I hope you don't find this too…
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
Drunken tones!
Wild tones.
Am finding your tunings project fascinating - and must say I really like the feel you have captured here. Beautiful piece!
Sounds kind of Christmassy - like the choir voice.
excellent
Beautiful!
Sweet.
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
a very beautiful story,, as told on the keyboard,, well done
It's what Dracula would listen to on he's down time...Nice!
Sleep? We can all sleep in our graves, but for now I hope you keep jamming! Lots of potential with this one!
Excellent music, concept and production. Well done!
Agree with Kirk - emotive in its delicate fragility.
That's really quite beautiful in it's own strange way. Compelling stuff!
Lovely shades of blue. :)
*agree with Norm* *on most things* This is like your favourite bag of nuts.
I don't understand it but I like it. Thanks once again for pushing the envelope for me.
nice jam!
Is there an instrument you don't play? this is great!
nice!
Comments made by vaisvil
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.