One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
This will sound out of tune and very odd to most people... and certainly its not a "quality instrument". But it IS lo-fi :-)
I changed my $30 electric guitar from Just Intonation fretting to 14 equal notes per octave using cable ties, loaded…
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
You'll never guess who turned up last night but the old Baird himself ....Will....Him and Louie jumped up to do this one for the cellar crowd...........
rockin!!
If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already.
All the best,
Chris
Oh - don't forget the contest!
http://www.untwelve.org/2011_competition.html
Intentional or not you sound like a 78 rpm record - it is like listening to folk song from the 30's - that is very cool. I like you composition and obviously the production.
Reg has been thinking he's fed up with all this celebrity crap.......the emperor is naked can't you see..........
CELEBRITY STRIFE (Lyrics)
I’ve said this once
I’ve said this twice
I don’t give a damn about the celebrities life
About who…
Celebrities at one time were paid to live the life the audience wouldn't dare to live. That was the real entertainment.
Its like the fake preacher at the entrance of the Renaissance fair who was on a tree stump yelling "Don't go in - it will make you a sinner! Inside is just sin! You will go to Hell if you go inside!" And I shouted back - "What if I pay you to go in and sin for me?" He stopped a moment looking thoughtful and then said "How much will you pay me?"
They were Black and Blue but finally Elvis got up and did his stint in the Live in the Living room fest....................................it was good practice for his strumming, cause by god does he need it.....but no one dare tell him…
The energy levels were at an all time high this weekend when Bon and jimi turned up down the Cellar for a session. Here's a little something from the session........... Reg'n'Roll...other Reg really blisters the guitar on this one
OH WHAT A…
Reg got reminiscing tonight down in the cellar and decided to cover this classic by dear old Rodney..............the piano needs a bit of work....but hey at least i'm trying ...at least i've found out what a F sharp minor is this evening and that…
Oh well, nothing like going to a middle school music function to break writers block, all those posters and flare about achievement...
Special thanks to my sons middle school band, The Preston Pumas playing at the end !
jqscutt posted the acoustic guitar track looking for ideas, not sure if it turned into the genre he was looking for :)
The auuuggga horn sound was another classic unplanned phone interruption during the vocal recording but it seems to fit in…
For the daughters of two of my favorite people.
Bonfire Lullaby
Dannah studies my hands while I play
With heavy eyes at the end of a runaround day
Fading fast ‘neath a summer night’s sky
No need to wonder why
Time stands still in her…
Keith - this is lovely - not only the song / guitar / vocals but also the sentiment and the slice of real life. This is a definition of beauty and serenity and... Love.
It was busy down the cellar tonight.....someone slipped something into Reg's and Jim's drink........now their out there trying to find the gold for the mind from the other side..........we tried to stop them but you know what their like when they…
Reg has put into words want he wants do and why...............
I WANT TO SING
I don't want to be like you or you
I just want to be like me
so i’m going inside myself, to try and figure, the whole thing out
the whole thing out
So i can jump…
Well reg was down the cellar last night watching re runs of Saturday night Live http://www.videolog.tv/video.php?id=503192 that Chris and Norm had sent him and they gave Reg an idea which John who sat quietly watching approved off..........it…
This one is live from the cellar last night...Unplugged recorded with one mic..so close your eyes and imagine me here alone on a wet Monday night in Sheffield in the cellar alone as Elvis and Jim had heard about an Happy hour round the corner…
I heard M.T.C's Session 1 today and thought wow!!! so asked if it was ok if i could jump on for the ride..Jim said Ok! .......so here goes.........a song about loves dream being broken.........thanks again Jim...................based around these…
Comments on vaisvil's stuff
Moody stuff! Cool early Nirvana feel, which is always a good thing.
Nicely done
sickly syncopated , nice lyrics
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?
pretty cool
pretty cool,,
Ha, wow, fascinating!
I enjoyed this, it's most interesting and compelling.
A jazzy little peach!
An enjoyable and delightful song.
Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.
Wow now thats cool great sound mate.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Peachy!
Jazzerremendous...........
I can listen to this all day! awesome!
Outstanding.
Comments made by vaisvil
You read poetry very well! Enjoyed!
rockin!! If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already. All the best, Chris Oh - don't forget the contest! http://www.untwelve.org/2011_competition.html
nice - is this in 19edo?
nice BP piece!! What are you using for your microtonal setup? And welcome fellow microtonalist!!
Intentional or not you sound like a 78 rpm record - it is like listening to folk song from the 30's - that is very cool. I like you composition and obviously the production.
Celebrities at one time were paid to live the life the audience wouldn't dare to live. That was the real entertainment. Its like the fake preacher at the entrance of the Renaissance fair who was on a tree stump yelling "Don't go in - it will make you a sinner! Inside is just sin! You will go to Hell if you go inside!" And I shouted back - "What if I pay you to go in and sin for me?" He stopped a moment looking thoughtful and then said "How much will you pay me?"
oh this is awesome with Elvis doing this!!
excellent work all around! We should call you Mr. Music!
Did you gargle with the obligatory razor blades before the take? Excellent cover!
Brilliant!!
didn't hear the phone the 1st time around but I love the singing and lyrics.
Keith - this is lovely - not only the song / guitar / vocals but also the sentiment and the slice of real life. This is a definition of beauty and serenity and... Love.
Did you two find the mushrooms? :-)
Your vocals keep getting better and more "Reg" with every song - its great to listen to !
I think Steve Hackett is very under appreciated. I can't understand why.
great production and concept - I'm with Bethan on this.
I like this version a lot! Nice key work - great vocals as well!
wow! very cool - it sounds a lot like that picture especially towards the end.
I thought you said you couldn't play guitar! This is an awesome cover!! We need to do the Joe Cocker version "With a Little Help From my Friends"!
awesomeness!! Reg I love your inner rock star!