Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

Crazily spooky! Totally envy your sustained notes. Damn.

DL'd for later :)

I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...

nicely done!!

you play guitar like Peter Townsend! I love the vocal effects.

This is really nice. I love the vocal harmonies and the slide too.

This is a beautiful medley!

I've enjoyed your work too - though mostly via Sound-In - Alonetone... I've found less and less time for AT as I've been getting more active in the microtonal community. However, Sound-In... I wait for every week :-)

This is fantastic!

Enjoyed that - good song writing and production to my ears

thanks Reg!!

this is... like being inside of a factory at night when the machines wake up and devise artifacts of their alien will.

I found this really interesting.

This series has a good flavor so far. More subtle than usual. The first piece reminded me of the magnetic field of Jupiter as picked up by Voyager.

cool!

love what you guys did here.

wow the a capella is just stunning!

Love the vocal harmonies!! Great tune to pick and nice excution

Nice - sounds very romantic period - quite dramatic and powerful.

Well, I like this one 'cause I can relate to the lyrics.

great vocals, great solo, great story!

incredible musical and story telling vision in this!

Thanks everyone!