One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
This will sound out of tune and very odd to most people... and certainly its not a "quality instrument". But it IS lo-fi :-)
I changed my $30 electric guitar from Just Intonation fretting to 14 equal notes per octave using cable ties, loaded…
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
More Original song than cover, I think.
A re-imagining of the AC/DC story.
My Rosie is a bolemia sufferer and is in a coma in hospital. The story is told by the concerned partner...
---
Whole Lotta Rosie
Never met a woman
Never…
Well, who do think came down the cellar last night... Yep! you guested it, Charlie Sheen, he was none too happy. He should have been if the girls with him were anything to go by. He'd come to talk to Elvis about handling the Yes men and how he…
View the footage with music [at youtube](http://www.youtube.com/watch?v=aQZDRKD8oSA&hd=1)
After watching the video of the tsunami devastating the shores of Japan, I couldn't work anymore. So instead I sat down to dedicate a few hours of…
View the footage with music [at youtube](http://www.youtube.com/watch?v=aQZDRKD8oSA&hd=1)
After watching the video of the tsunami devastating the shores of Japan, I couldn't work anymore. So instead I sat down to dedicate a few hours of…
Louis was back in the cellar last night and he was telling Reg how Blue he was and they got to jamming...............This morning i arrived at the cellar to find Bon was passed out in the corner....Dave was right with his guess....He could never…
my goodness - you've been pouring out music and stories - I can't keep up - I surrender the title of the most prolific composer ever to Reg :-)
Man - how did you get the Louis Armstrong voice - oh wow.....
And the rock opera people are right - think Rocky Horror Picture Show - if you could get together a script and a vision and sell it you could be set for life. There is no question about you having the talent to pull it off.
Here's to Johnny!
Gifted composer. Talented musician. Supportive friend.
127 songs of posted AT rockin' goodness, posted from
2008-2011: the Stone Age!
Thanks for all of the tasty tunes Johnny.
5/4 120bpm.
Desirea has done a number on Reg, she stole his Credit cards birth certificate and passport and has cloned him to at least a dozen banks that he knows of. He has lost his house his car everything he has./ And to top it all he cant sleep for missing…
Funny, when I was going through divorce I ended up in a support group - and there was a late 50-ish ex-cop who showed up one day who complained about this young woman who talked him out of entire retirement savings for drugs. (You'd think he'd know better....) Trying to remember her name.... did it start with a D??? I was glad when he left - he apparently got tired of us when he found out we could barely make rent for the room in the church we met at Friday night....
Desirea has done a number on Reg, she stole his Credit cards birth certificate and passport and has cloned him to at least a dozen banks that he knows of. He has lost his house his car everything he has./ And to top it all he cant sleep for missing…
This is a piece written for 37signals, made to accompany a [fun video they did on Letterpress printing](http://37signals.com/svn/posts/2795-a-letterpressed-thank-you)
The track is best listened to in context of the video, since it's scored…
Aw, we tried to make this a bit more pro, but sometimes the really fun moments in life are fleeting. So here it is warts and all. But don't mind that - just get out onto the dance floor with Reg! It's ok: he's up to date on his shots.
When…
my contribution/offering to this years RPM...Does it ever happen that angels or devils perhaps walk among us mortals here on our earth?? Winter Nacht is a 11 act dialogue between two travelers who meet in the winter twilight, on a road in the…
Humility Don't Come to You
Bet you don't know what I do,
what I'm doing, what I'm doing
Bet you don't understand
Yes I realize
that you think you think you are so big
and its hollow the night you stand
Humulity don't come to you
Not at all
Humility don't come to you
Not at all
I bet you can't figure out who you are
All the things you try just don't get you too far
And you try to make what it is
Something that that it really isn't pure
Humility don't come to you
Easy at all
Humility don't come to you
You think you stand so tall
Humility don't come to you
Not Easy at all
Humility don't come to you
I hope that you can catch your fall.
I am noticing a patter in the musics like at minute five to minute five and a half I start to slow down and change up the systems.. anyway when i mixed the two things they came out like this.
these are the messages from my machine. I did this before but somehow had to do this again. of course the answering machine messages were edited for content .. :)
I was just reading "The Challenges Facing Women in Music and other Scientific and Engineering Fields" and saw you uploaded a track - and I got to say this is awesome!!! Are the strings microkorg or one of those VSTs? They work really well with the voices - sounds film dramatic! Nice work!
Comments on vaisvil's stuff
Moody stuff! Cool early Nirvana feel, which is always a good thing.
Nicely done
sickly syncopated , nice lyrics
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?
pretty cool
pretty cool,,
Ha, wow, fascinating!
I enjoyed this, it's most interesting and compelling.
A jazzy little peach!
An enjoyable and delightful song.
Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.
Wow now thats cool great sound mate.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Peachy!
Jazzerremendous...........
I can listen to this all day! awesome!
Outstanding.
Comments made by vaisvil
thanks for all of the listens and comments Richard. This is beautiful - love the choral writing.
nice!
wow - you woke the dead with this! Excellent tone!
wow - excellent!
and - poor Japan.
nicely done
I like the toucans - is this the microkorg? nice space - I feel like a tropical excursion.
my goodness - you've been pouring out music and stories - I can't keep up - I surrender the title of the most prolific composer ever to Reg :-) Man - how did you get the Louis Armstrong voice - oh wow..... And the rock opera people are right - think Rocky Horror Picture Show - if you could get together a script and a vision and sell it you could be set for life. There is no question about you having the talent to pull it off.
excellent!!
this is very good.
Funny, when I was going through divorce I ended up in a support group - and there was a late 50-ish ex-cop who showed up one day who complained about this young woman who talked him out of entire retirement savings for drugs. (You'd think he'd know better....) Trying to remember her name.... did it start with a D??? I was glad when he left - he apparently got tired of us when he found out we could barely make rent for the room in the church we met at Friday night....
I use Sony Vegas Studio - the $99 version.
nice work !
great collaboration~
nice! - what choir did you acquire?
nice work Reg!
I agree with Norm - there is a lot coming down.
Humility Don't Come to You Bet you don't know what I do, what I'm doing, what I'm doing Bet you don't understand Yes I realize that you think you think you are so big and its hollow the night you stand Humulity don't come to you Not at all Humility don't come to you Not at all I bet you can't figure out who you are All the things you try just don't get you too far And you try to make what it is Something that that it really isn't pure Humility don't come to you Easy at all Humility don't come to you You think you stand so tall Humility don't come to you Not Easy at all Humility don't come to you I hope that you can catch your fall.
it sounds sweet at 6:30 the arpeggios nice at 9:00 12:00 a whole 'nother universe.... wow.
I was just reading "The Challenges Facing Women in Music and other Scientific and Engineering Fields" and saw you uploaded a track - and I got to say this is awesome!!! Are the strings microkorg or one of those VSTs? They work really well with the voices - sounds film dramatic! Nice work!