My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
really like this one, congrats on this piece being selected !
By "computerized version" do you mean a MIDI or is this live guitar? man its hard to tell, the mic up on the neck seems just right.
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
This is the first time I picked up and tried to play a guitar that is in 88 cent equal temperament - the tuning does not contain an octave. Since this was the first time I made some mistakes. Nonetheless I think it sounds interesting.
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
I thought a microtonal piece almost completely in absynth would be a decent goal. So, I improvised bass, lead, chords, effects in 19 notes per octave against a sequence of drum loops run through effects. Then - just to see the difference I took…
interesting listen,,, very different,, im enjoying this not because it's the typical stuff, but rather because once again you are leading me off into musical directions that are new.. thanks R
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Gorgeous!
Congrats, nice piece. Had me fooled on first listen, nice faux guitar tone!
I agree...wonderful music......simply wonderful
Wonderfully pretty with a hint of the Japanese garden with in it's splendid display.
Wow, that's different! Most enjoyable!
Sort of mystical! With a lovely relaxing feel.
Hey, looking cool there dude! Sounding good all round too! Rhythmically creepy!
beautiful
really like this one, congrats on this piece being selected ! By "computerized version" do you mean a MIDI or is this live guitar? man its hard to tell, the mic up on the neck seems just right.
sounds beautiful.
interesting,, not sure how it makes me feel,, i would like to hear a little more about your thinking for this,, take care R
Totally wild and very cool!
very nice,, this all flows together very well,,,
very cool
That was a cool and different stigma....took me somewhere.
Sweet marimba!
uplifting!!!!!
Very pretty w;-)
Wonderful rendition! Very well done!
interesting listen,,, very different,, im enjoying this not because it's the typical stuff, but rather because once again you are leading me off into musical directions that are new.. thanks R
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!