Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

this is a great idea well executed!

very beautiful!

powerful!

thanks for all of the listens and comments Richard. This is beautiful - love the choral writing.

nice!

wow - you woke the dead with this! Excellent tone!

wow - excellent!

and - poor Japan.

nicely done

I like the toucans - is this the microkorg? nice space - I feel like a tropical excursion.

my goodness - you've been pouring out music and stories - I can't keep up - I surrender the title of the most prolific composer ever to Reg :-) Man - how did you get the Louis Armstrong voice - oh wow..... And the rock opera people are right - think Rocky Horror Picture Show - if you could get together a script and a vision and sell it you could be set for life. There is no question about you having the talent to pull it off.

excellent!!

this is very good.

Funny, when I was going through divorce I ended up in a support group - and there was a late 50-ish ex-cop who showed up one day who complained about this young woman who talked him out of entire retirement savings for drugs. (You'd think he'd know better....) Trying to remember her name.... did it start with a D??? I was glad when he left - he apparently got tired of us when he found out we could barely make rent for the room in the church we met at Friday night....

I use Sony Vegas Studio - the $99 version.

nice work !

great collaboration~

nice! - what choir did you acquire?

nice work Reg!

I agree with Norm - there is a lot coming down.