Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

nice ambient!!

nice ambient!!

nice ambient!!

this is Romanian reggae?

the theory of Bed Henkings posted in the AT forum at the request of coelocanth http://alonetone.com/forums/making-music/topics/the-theory-of-bad-henkings

I feel like I'm a beatnik scene with a scanner - very odd vibes - nice!!

This is so complex rhythmically that I don't know *how* to play along. I'm not sure if one should - it stands on its own - wow. This is a lesson here. Please send Alex my regards for his skill and sharing his cultural heritage.

wow! this weird! in the best way!! Is that your guitar beating away?

This was one of the better collaboration experiences I have had - I really like what we ended up with.

Thanks for the listen and comment! Well, no, I was a short haired old man when that solo happened (anyone over 29 is old of course). I don't know what PiL means.

love this video!

excellent! I love the percs and the mix of elements in this!

cool piece!

Nice and smooth.

nicely done~!

interesting ! What is your set up? It sounds as if you were recorded in a hall.

I especially like parts I and II - nice work!!

boy, are you ever going through a creative period - everything is sounding top notch - I love the percussion + ambiance style here. World electro?

interesting aggressive minimal electro

nice themes!