Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

Crazily spooky! Totally envy your sustained notes. Damn.

DL'd for later :)

I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...

Less then one minute in and i already love it.

very nice,, as always i am amazed by your art

Beatifully sick! I like it very much!!

Wow, stirring stuff!

Yes indeed cool!

Ummm just blown away!

Cool story about Majnun. Very pro sounding production. Horns sound great to me.

yes........very chaotic and interesting all at the same time,,,,,

nice vamp!

Such a huge expanse is painted here!

A cool microtonal experimental piece!

This is beautiful!

starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!

This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.

I really like how unusual this sounds

beautiful in its sadness

really well done!

this may be long, but it isn't empty. I really, really like this one!

it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work

This is cooler - the SE-02 seems to be quite a nice synth~!

love the runs in this piece! Very powerful!

awesome!!!

I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!

But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.

excellent!

Beautiful!

Lola has my respect. What synth was slept on?

Its why they fly in cris-cross patterns!