This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
Please hit "more" — March 01, 2010 — I take a stab at performing a song live on video in several takes. Since this was an improvisation with a couple takes here and there it is not as polished as some may like.
if you want the full quality…
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Excellent! Now I don't need to run out and buy one of those Halloween CDs to play for my trick-or-treaters.
Where do you think these things up. Really creepy but most effective. I listened to 10 minutes but got called away. Will be back!
You have me wanting to make scary sounds too...
Very pretty indeed. This would be perfect for Bethan
I'll sing it for you Chris! if you still want that is.... It's really pretty.
Love it!Great stuff! Fit perfectly.
Yes. Just yes.
Keep pushing that envelope! Tell me again, as you recorded this, are you listening to the tuning as we hear it in the recording?
AHhhhHhhhHHhhh!
Interesting tuning. Oddly disturbing and strangely beautiful at the same time
Great stuff there!
Lovely, lovely piece, beautifully balanced strings. A wonderful listen!
Provocative and powerful.
i like it.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
Wonderful stuff guys!
Lovely medieval feel!
Ah, dark shadows indeed! That was gorgeous!
great classic moving organic underbelly piece
Very cool.
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?