Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
It's because it is so cleverly done and there is a little bit of the lover of the dark side in most of us.
I have never heard anything like it, and the percussion, wow.
Ever have a song you know is ugly and horrific but you love anyway? This is one of those from 1997 and recorded in Cakewalk Pro Audio.
The piece is was totally improvised starting with the drum line which I had the drum machine in "learn" mode…
There is a video for this below
Its all a bit cliche I know - but its what I wanted to do. All of the video footage was taken by me in an undisclosed location somewhere. This is a microtonal piano improvisation that uses Lucy tuning 0b6s meantone…
This is a solo piano improvisation that I performed last year (2009) but have tinkered off and on for a while as a work in progress. It really isn’t done yet but I thought I might let others hear it. The piano sound is generated entirely by…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
That's quite the trip!
It's because it is so cleverly done and there is a little bit of the lover of the dark side in most of us. I have never heard anything like it, and the percussion, wow.
A most sympathetic track title and the musical implementation has a proper 'auntie character' too! :-)
cool. Hey, Vais how do you get those pics in the about section?
dang what an amazing sound here, fantastic.
I love the mandolin and the piano together, and Norm's perky percussion is great. Lovely track.
I dig that ebowed electric mandolin! Thanks for carrying me, Chris!
very cool Vais!
Sweet track, guys - I love it!
Very cool - I dig the photo too :)
Very Beautiful! Interesting tuning as well
Cool! Those mandolins make for a great texture
Is that you playing guitar? just curious from your other tracks. Very nice!!!
Faved and saved! so good!
Sounds Cool!
Great mix guys.
Very Nice! Enjoyed that
sounds great
Ha! I have an ear for vintage Vaisvil!
Great guitars. I was suprised that this was a 2010 piece... reminds me of some of your vintage stuff.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!