my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
compelling track, I like it. In other context the faux drums might bother me but here the strange elements seem to compliment each other; or a sense of conscious artifice.
PS I like your Ives
Time to upload an oldie from February - see the video
Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
Time to upload an oldie from February - see the video
Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
I'm working on several version of this art song by Charles Ives called The Cage from 1906. I would be very interested to collaborate with a vocalist (the flute line or an octave below) - and the vocal style doesn't have to be operatic - probably…
Year: 1997
Me trying to be a 3 piece band back in 1997 using the portastudio 1, fender mustang, crate amp, no-name bass, and jazz drum set.
I've tried to improve it by remastering in sonar.
Contributors:
Please visit the graphic…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
compelling track, I like it. In other context the faux drums might bother me but here the strange elements seem to compliment each other; or a sense of conscious artifice. PS I like your Ives
:)
I will have to stop back by sometime and really listen to each track....got a great collection of everything here.
Love this one! Faved,downloaded...and listened to A LOT
Had to listen to this again.
Big time awesome!
pretty solo.
neat-o!
Excellent. I like the drum work too. The guitar bridge rules.
great sound and effects
dIG IT
Very cool! Dig your tone on that guitar solo and those background vocal effects are great!
Really dig this....not sure how you come up with this stuff, but it's pretty sweet!
Its like grooving with an ice pick, chipping out sounds and sights. Very interesting sound here.
hey thanks! downloaded!
nice played
Interesting,,,, i also just listened to the cage but could not leave a comment or fav ......my how we change/evolve over time...
yeah! those guitars are some killers in action!!
Breathtaking performance.
awesome
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!