electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
cool. I like your range of work (a fellow eclectic).
re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
Makes Me Think Of Charlie Brown And The Peanuts Gang Succumbing To A Debilitating Illness
cool one bud.
Bowed/ebowed mando, how about that. Great sounds and arrangement.
wow! fantastically done!
Nice one. :)
Wild tones , I like.
Enjoyed that.
great tune! i like what you did with those instruments on this one.
Think you can safely say the mandolin works, guv! The vocals are also fully functional (if a little quiet?). Cool!
This is excellent. Love it!
oh yeah!
cool. I like your range of work (a fellow eclectic). re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
How come i never heard this one before? this is great stuff vaisvil.
hell ya! i like the groove and what you did with your Fretless Guitar...
very cool. I've gotta come back and check this out in its entirety. Illegal Alien
Phantasmagoric!
interesting...
visceral and compelling
that's a cute baby. very fng! JRR
Mr.Beanie Baby?
Comments made by vaisvil
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.