The last party in the lunar nightclub. Moon splinters accelerate and try to scatter in different directions, away. But The Microcosm does not allow them to do this. He is in charge of microtonality. At least I feel that way ...
"I knew the speech very well," the president said, according to Fox News. "So I was able to do without a teleprompter, but the teleprompter did go out and it was actually hard to look at anyway because [there] was rain all over it."
I once again try to become a 5 piece band. For all of those we love, future, present, and past.
Live with the dead (x4)
Before they are gone
And there is times
that I reach out for you
turn away
and you you're gone...
Life is fleeting…
very excellent It is great stuff... I like the whole thing It is like the two lines of song were played together but I saw the post where each were recorded and then put together ----
Farm Hall transcripts
The results of the transcripts were inconclusive. On July 6, the microphones picked up the following conversation between Werner Heisenberg and Kurt Diebner, both of whom had worked on the German nuclear project and had…
Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
A collaboration of Bill Newbold (words and visuals) and myself (noise)
so never Arts
or Artless is
isometric effects
oft tempo fluxes
Blue the Moon
up in purple
just like Spires
in tinted cares
unsure
in effect
there triangles…
Hi Chris - well I mixed this with --
https://soundcloud.com/h92o/for-chris-at-d-d
and got this ---
https://alonetone.com/acid/tracks/polyharp-ji-musings-2
yes I did not change the title (my bad) but I know when I saw that that title changes are --- difficult post titling. ---
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
The last party in the lunar nightclub. Moon splinters accelerate and try to scatter in different directions, away. But The Microcosm does not allow them to do this. He is in charge of microtonality. At least I feel that way ...
world calamity!
great work | here...
minute four has great deep notes... nice.
thanks Chris.. neat song. . ---
this is excellent particularly the opening as the guitar vibe is great tone and interspersed nicely Chris. The latter goes to surprising places.
Cool retro vibe - you sound like a doorsy rogue!
this is really cool. I like how it becomes increasingly fractured and eventually comes back together. There's a nice lil journey going on in here.
Horns sound good with the effected guitars
Hey Vaisvil, I think this is pretty great. Good fucking job!
that is what I am talking about wow .. way on.. :) what it is is modularity of the modular. ---
very excellent It is great stuff... I like the whole thing It is like the two lines of song were played together but I saw the post where each were recorded and then put together ----
buzz guitar is great.. this is long minute 4 works well... Part of an album ? or just shaped by choice..?
good singing Chris. I am liking the changes. so very on as it is. --
Sci-fi-muso.
echo Bill, lovely melody and sense of explore. Interesting fact re the artificial sweetner.
lovely melody very pretty.. ---
the video link --- https://www.youtube.com/watch?v=SAAvu20WcAY
Hi Chris - well I mixed this with -- https://soundcloud.com/h92o/for-chris-at-d-d and got this --- https://alonetone.com/acid/tracks/polyharp-ji-musings-2 yes I did not change the title (my bad) but I know when I saw that that title changes are --- difficult post titling. ---
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!