oooh, that's FN pretty!

A wonderfully jazzy piece played with harmonies to die for, and Norm, of course. This guys is great!

very mellow,, and again nicely done,,it's inspiring to hear all your different works

very nice Chris,, notes are very clear,,, well played,,improv can be a lot of fun

very beautiful sounding

beautiful piece, and maybe my fav, of your microtonal repertoire..

Sweet!

so very nice!

Yes, most relaxing. Lovely piece!

Rainstorm music! Beautiful...crazily potent!

Spartan with a complicated sound - That is pretty damn cool.

Very cool.

Delicate and serene. Beauty indeed.

A masculine piece with an oriental flavour. Most interesting and different.

Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.

So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?

Vaisvil's response to my question was enlightening: wild stuff! "well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time. So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."

You actually tune the Fender Mustang to the Sorog tuning, right?

really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played

Whew! That's a dandy production right there. Some great changes and that piano is sterling.

I love this~!! excellent!! How did you get the advant guard sounds?

this is beautiful and moving. I wish I could play piano this well. Awesome work Richard!

Rockin!!

nice piece - good progression - does sound western

this is so expressive, especially once the piano comes in.

if you wish for me to take down my re-mix of your piece let me know.

excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!

wow. You have captured what St. Casimir cemetery sounds like at 4 am on a spooky fall night...

Man alive!! this is astounding!! what a trip!

As for the song icon for Don't Look Down - a friend made it for me and I am not sure what he used. Subway is a good bet.

Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments: This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.

this is wonderfully sad and mysterious!

beyond just excellent! This is a trip through space to another place, time, and existence! I can't say enough!

Excellent!!

Excellent sounds and I keep wanting to hear more of her :-) I especially like the percussion.

Beautiful!! In composition and execution.

Nice tune - so this is a cover?

Nice tune - like the production

nice an heavy!

entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!