This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Elvis got philosophising in the cellar again last night.........................so Louie and Reg got Bluesy with him and this is what turned out of the session.........
DREAMER(Lyrics)
Well I asked the mirror if my dreams would come true…
You'll never guess who turned up last night but the old Baird himself ....Will....Him and Louie jumped up to do this one for the cellar crowd...........
rockin!!
If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already.
All the best,
Chris
Oh - don't forget the contest!
http://www.untwelve.org/2011_competition.html
Intentional or not you sound like a 78 rpm record - it is like listening to folk song from the 30's - that is very cool. I like you composition and obviously the production.
Reg has been thinking he's fed up with all this celebrity crap.......the emperor is naked can't you see..........
CELEBRITY STRIFE (Lyrics)
I’ve said this once
I’ve said this twice
I don’t give a damn about the celebrities life
About who…
Celebrities at one time were paid to live the life the audience wouldn't dare to live. That was the real entertainment.
Its like the fake preacher at the entrance of the Renaissance fair who was on a tree stump yelling "Don't go in - it will make you a sinner! Inside is just sin! You will go to Hell if you go inside!" And I shouted back - "What if I pay you to go in and sin for me?" He stopped a moment looking thoughtful and then said "How much will you pay me?"
They were Black and Blue but finally Elvis got up and did his stint in the Live in the Living room fest....................................it was good practice for his strumming, cause by god does he need it.....but no one dare tell him…
The energy levels were at an all time high this weekend when Bon and jimi turned up down the Cellar for a session. Here's a little something from the session........... Reg'n'Roll...other Reg really blisters the guitar on this one
OH WHAT A…
Reg got reminiscing tonight down in the cellar and decided to cover this classic by dear old Rodney..............the piano needs a bit of work....but hey at least i'm trying ...at least i've found out what a F sharp minor is this evening and that…
Oh well, nothing like going to a middle school music function to break writers block, all those posters and flare about achievement...
Special thanks to my sons middle school band, The Preston Pumas playing at the end !
jqscutt posted the acoustic guitar track looking for ideas, not sure if it turned into the genre he was looking for :)
The auuuggga horn sound was another classic unplanned phone interruption during the vocal recording but it seems to fit in…
For the daughters of two of my favorite people.
Bonfire Lullaby
Dannah studies my hands while I play
With heavy eyes at the end of a runaround day
Fading fast ‘neath a summer night’s sky
No need to wonder why
Time stands still in her…
Keith - this is lovely - not only the song / guitar / vocals but also the sentiment and the slice of real life. This is a definition of beauty and serenity and... Love.
It was busy down the cellar tonight.....someone slipped something into Reg's and Jim's drink........now their out there trying to find the gold for the mind from the other side..........we tried to stop them but you know what their like when they…
Reg has put into words want he wants do and why...............
I WANT TO SING
I don't want to be like you or you
I just want to be like me
so i’m going inside myself, to try and figure, the whole thing out
the whole thing out
So i can jump…
Well reg was down the cellar last night watching re runs of Saturday night Live http://www.videolog.tv/video.php?id=503192 that Chris and Norm had sent him and they gave Reg an idea which John who sat quietly watching approved off..........it…
Comments on vaisvil's stuff
beautiful
Still fresh!
very nice,, that sequence is a transcendental equation no?,, very cool,, you never cease to amaze me
VERY COOL! w;-)
Puts The A In Avante Garde!
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Comments made by vaisvil
acid rain? :-)
nice! Good backing and vocals!
You read poetry very well! Enjoyed!
rockin!! If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already. All the best, Chris Oh - don't forget the contest! http://www.untwelve.org/2011_competition.html
nice - is this in 19edo?
nice BP piece!! What are you using for your microtonal setup? And welcome fellow microtonalist!!
Intentional or not you sound like a 78 rpm record - it is like listening to folk song from the 30's - that is very cool. I like you composition and obviously the production.
Celebrities at one time were paid to live the life the audience wouldn't dare to live. That was the real entertainment. Its like the fake preacher at the entrance of the Renaissance fair who was on a tree stump yelling "Don't go in - it will make you a sinner! Inside is just sin! You will go to Hell if you go inside!" And I shouted back - "What if I pay you to go in and sin for me?" He stopped a moment looking thoughtful and then said "How much will you pay me?"
oh this is awesome with Elvis doing this!!
excellent work all around! We should call you Mr. Music!
Did you gargle with the obligatory razor blades before the take? Excellent cover!
Brilliant!!
didn't hear the phone the 1st time around but I love the singing and lyrics.
Keith - this is lovely - not only the song / guitar / vocals but also the sentiment and the slice of real life. This is a definition of beauty and serenity and... Love.
Did you two find the mushrooms? :-)
Your vocals keep getting better and more "Reg" with every song - its great to listen to !
I think Steve Hackett is very under appreciated. I can't understand why.
great production and concept - I'm with Bethan on this.
I like this version a lot! Nice key work - great vocals as well!
wow! very cool - it sounds a lot like that picture especially towards the end.