The poem is by Jason Kirk Bartley
This is in 19 edo and I play drums using a Simmons SMDP1 drum pad. The quality of poem is a lot higher than my music which is kind of an odd psychedelic blues not usually associated with the subject.
psychedelic for sure,,, this evokes some interesting images,,, listening to this which is great,, i would also guess you are a big doors fan, they blended such themes musically
The poem is by Jason Kirk Bartley
This is in 19 edo and I play drums using a Simmons SMDP1 drum pad. The quality of poem is a lot higher than my music which is kind of an odd psychedelic blues not usually associated with the subject.
a 13 minute improvisation I played on a newly tuned Steinway grand piano at my Church. The only audience was my Zoom H2 – which is probably good since there are a few glaring “misses” in the performance. I love the joy of just playing but it does…
a 13 minute improvisation I played on a newly tuned Steinway grand piano at my Church. The only audience was my Zoom H2 – which is probably good since there are a few glaring “misses” in the performance. I love the joy of just playing but it does…
a 13 minute improvisation I played on a newly tuned Steinway grand piano at my Church. The only audience was my Zoom H2 – which is probably good since there are a few glaring “misses” in the performance. I love the joy of just playing but it does…
the second theme at about 1:40 is lovely, and i like the way it changes at about 3:10 or so, sort of climbing out into a different plain,, very pretty riffs in the 5 min and on, i like it when you break away from the cord structure to individual keys/notes,,,, at times through this i can hear the slight pauses where it seems like your thinking/planing what direction to take,, OUR DOING GREAT! it's a fun musical journey and im happy to be along... you have a lot of really nice small themes in this,, excellent! oh and by the way for many years i played on a churches concert steinway,, loved it, especially because most churches have such a lovely sound scape to make music in , not to mention the also wonderful light that typically filters in,, ah a small bit of heaven (guess that makes sense though) well anyway excellent Chris
sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this.
Love it.
sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
Using my DIY 23 edo guitar, DIY electric cello, and DIY electric psaltery I recorded the wind playing these instruments after they were tuned in just intonation or harmonic series relationships. Adding to the harmonic series nature of this composition…
Using my DIY 23 edo guitar, DIY electric cello, and DIY electric psaltery I recorded the wind playing these instruments after they were tuned in just intonation or harmonic series relationships. Adding to the harmonic series nature of this composition…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Awesome sounds there Chris! Luv Bee
psychedelic for sure,,, this evokes some interesting images,,, listening to this which is great,, i would also guess you are a big doors fan, they blended such themes musically
interesting!
Free flowing musical expression and lots of ideas here, like a deconstructed Let It Be in places.
and Chris i ment YOUR Doing Great,, sometimes my fingers and the keyboard don't quite line up
the second theme at about 1:40 is lovely, and i like the way it changes at about 3:10 or so, sort of climbing out into a different plain,, very pretty riffs in the 5 min and on, i like it when you break away from the cord structure to individual keys/notes,,,, at times through this i can hear the slight pauses where it seems like your thinking/planing what direction to take,, OUR DOING GREAT! it's a fun musical journey and im happy to be along... you have a lot of really nice small themes in this,, excellent! oh and by the way for many years i played on a churches concert steinway,, loved it, especially because most churches have such a lovely sound scape to make music in , not to mention the also wonderful light that typically filters in,, ah a small bit of heaven (guess that makes sense though) well anyway excellent Chris
That took me on a ride while folding the washing.....Thanks
Perfect for a Sunday afternoon
Interestingly different from this: http://alonetone.com/fuzzfilth/tracks/ditd
Nice! Sounds like GR20 sax sounds?
Lovely sounds!
Neat project and awesome sounds!
Almost the song should have a Bach invention playing counterpoint in key,..at least I can here something like that,..over all most astounding ,..
Nice! I dig the video too... it has a nice relaxed somber feel to it
thanks for reminding me,,, very nice Chris,,,looks like a web cam shot from today,, is it such?
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this. Love it.
ps , lots of nice color to this
really excellent music and arrangement!
*mesmerized*
The combo of the clouds streaming by and your music is quite hypnotic! Thanks for creating and sharing this! - MT
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!