omg I hopes this isn't doubling up one the post but...OMG So intensive !!!! @15_edo those three extra notes fit in so nice there's more to it..please never stop playing like
A great sound Chris. Reminds me of bagpipes.
I can just see them all spinning in the great hall with the hog on the spit and the pewter mugs full of ale.
Gosh, what a sorry picture. Shame, all it does here is rain.
This is a very well designed track to go with the drought scene. It would be wonderful in a tv documentary! The sounds are awesome!
Rubric’s Cube is a short compositional study for a small chamber ensemble of bassoon, flute, viola, violin, hand bells, and percussion using Lucy tuning # 2b3s and realized through Garittan Personal Orchestra. The ferrets appear for entirely…
Rubric’s Cube is a short compositional study for a small chamber ensemble of bassoon, flute, viola, violin, hand bells, and percussion using Lucy tuning # 2b3s and realized through Garittan Personal Orchestra. The ferrets appear for entirely…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
I dig the textures - Almost like Dick Dale on acid, moving to Jimi in places. Well done, I love it!
Bee told me about this one - she was utterly moved and I can hear why. A wonderfully beautiful, exciting piece, CV.
Stirring and magnificent!
omg I hopes this isn't doubling up one the post but...OMG So intensive !!!! @15_edo those three extra notes fit in so nice there's more to it..please never stop playing like
Wow! I feel this should be played in Westminster Catherdal. Chris, it's beautiful, truly. She looks like a child in this painting.
Sorry, Chris, I keep doing that. The last comment was Bee x
A great sound Chris. Reminds me of bagpipes. I can just see them all spinning in the great hall with the hog on the spit and the pewter mugs full of ale.
Transported back to the 1400's
great feeling in this,,,
Came back for another listen.Love the apparent simplicity.
Very pretty, I was captured by the first few notes.
Oh, isn't she beautiful! A most beautiful piece of music too Chris. Bee
this sounds like an appeal to God for some more water ... guess that is the boat that floats ,, very clean sound work and textures ll
this is pleasant in sound and texture a mellow construction :)
Gosh, what a sorry picture. Shame, all it does here is rain. This is a very well designed track to go with the drought scene. It would be wonderful in a tv documentary! The sounds are awesome!
And a lovely little ping at the end! Bethan
Yay, nicely done Chris.
love the vibe. for some reason, i cant help but hearing a long gong drowning in this one,
Enjoyed that......
Ultra adventurous - cleverness!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!