The Broken Cathedral of Christchurch is an ambient poly-tuning piece using 11, 12, and 19 notes to the octave. The instruments used are a Korg MS2000 synthesizer, 19 edo electric guitar (several tracks), and 5 string bass – all with liberal…
The Broken Cathedral of Christchurch is an ambient poly-tuning piece using 11, 12, and 19 notes to the octave. The instruments used are a Korg MS2000 synthesizer, 19 edo electric guitar (several tracks), and 5 string bass – all with liberal…
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
like this very much,, kind of a bummer in sentiment,, but then again,, it kind of find it fits,, thank goodness for the net, at least i can look up apocrypha
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
Apocrypha is a progressive rock song in the sense of Rush more than ELP or Yes. I had come up with the guitar and via my GR-20 the strings - everything else you hear was performed by my long time collaborator Frank Miller (Phantasm777) - so that…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Comments on vaisvil's stuff
Wow - fascinating photo to accompany this richly atmospheric track.
Nice. Reminiscent of Xela
Pretty cool! Love your delivery.
PROG! Crazy great vocals.
Beware the bubbling synth!
This won't play for me, Chris. And I'm getting a strange list of code where I suspect an accompanying picture should be.
Slippery melodies here - ominous sounds. Perfect title!
excellent guitar fx :] Atmosphere in spades. Very nice!
Coo Chris, that was quite exciting! Sounds a bit tribal! Yeah, great bod, shame about the face!
Chris that is a tremendous vocal. You make a great rockin band.
Wow, those vocals are crazy great! Fabulous Jim Morrison vibe! Woah!
Nice improv! Didn't know that the Ebow would work on 12 string
Brilliant.....love that emotion....scream it out
now that's a trip.......
What fun!!
Holy moly, what a rocker! Sounds like you're channeling Bob Scott there dude!
like this very much,, kind of a bummer in sentiment,, but then again,, it kind of find it fits,, thank goodness for the net, at least i can look up apocrypha
Gotta love goodwill, you never know what they will have....
Very nice!
i think this went well, but then, i am a bit partial! :)
Comments made by vaisvil
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!