I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
an interesting exploration on the audio plane, it's slow dreamlike flow is quite a contrast to the photo shown,, once again,, a very interesting journey
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Quite a lot of this track sounded like you were outdoors and trying to reach the other side of a huge ravine it was echoey and most atmospheric.
I liked it!
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
this is a collaboration with my old guitarist chris vaisvil with whom we are celebrating being in our first band 40 yrs ago.
chris does the 12 string guitar and the lead guitar at the end. i am doing the bass, keys, drums and vox. i wrote the…
An exercise in dissecting a well known song to see what makes it tick. Drums are looped, bass is not in tune, guitar is not quite right, but I'm slowly getting there. Will update this later. Somewhen...
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
Likes this,heavy,spacey,nice one!
Very atmospheric! Giddying sounds.
I love this! That 12 string sounds like it's about 40 ft long
Very clean recording and playing.
Classic. Well done!
it's very interesting
nice cover!
indeed, a cool piece,,, nice to hear your different styles
That's a great vocal you got going there Chris...nice cover
Ebowmania!
an interesting exploration on the audio plane, it's slow dreamlike flow is quite a contrast to the photo shown,, once again,, a very interesting journey
Ah, the good old cotton mills! Those were the days!
You captured the Japanese feel perfectly! I like the use of the guitar simulating the bell tolling followed by the 4 lower notes.
No, I did not mean that comment to be private at all. Sorry! Yes, wonderful vocal indeed and earth shattering guitars too!
Love it! The ebow and reverse stuff hit's me where I live! :) Lovely melody
Crazy good. :)
Yesh! Definitely a candidate for the IF RPM mash album.
Wow, good stuff!
Quite a lot of this track sounded like you were outdoors and trying to reach the other side of a huge ravine it was echoey and most atmospheric. I liked it!
Very interesting sounds Vaisvil....
Comments made by vaisvil
Thanks Brett - I'm just being a session man here - Frank is seriously rocking this out!
nicely done - you should get Reg to sing on your version.
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!