I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
an interesting exploration on the audio plane, it's slow dreamlike flow is quite a contrast to the photo shown,, once again,, a very interesting journey
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
Japanese Ghost House Boat was my contribution to the ImprovFriday “For Japan” earthquake relief CD release with proceeds donated to the Red Cross. It is in 17 notes per octave. Since its been about a year I thought I could release it now as…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Quite a lot of this track sounded like you were outdoors and trying to reach the other side of a huge ravine it was echoey and most atmospheric.
I liked it!
I was asked to come up with some gritty microtonal guitar. This is an out-take from that session.
17 Indulgences is a solo guitar piece in 17 edo featuring acoustic feedback, echo and a bluesy sort of point of view but does wander here and…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments:
This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
Backyard Ghost sent me something to work on...i added my own touch and arranged it...i sent it to him and he added another of his touches and rearranged it and You've Had My Tears is the end result...we both love this collaboration...expect more…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Comments on vaisvil's stuff
Likes this,heavy,spacey,nice one!
Very atmospheric! Giddying sounds.
I love this! That 12 string sounds like it's about 40 ft long
Very clean recording and playing.
Classic. Well done!
it's very interesting
nice cover!
indeed, a cool piece,,, nice to hear your different styles
That's a great vocal you got going there Chris...nice cover
Ebowmania!
an interesting exploration on the audio plane, it's slow dreamlike flow is quite a contrast to the photo shown,, once again,, a very interesting journey
Ah, the good old cotton mills! Those were the days!
You captured the Japanese feel perfectly! I like the use of the guitar simulating the bell tolling followed by the 4 lower notes.
No, I did not mean that comment to be private at all. Sorry! Yes, wonderful vocal indeed and earth shattering guitars too!
Love it! The ebow and reverse stuff hit's me where I live! :) Lovely melody
Crazy good. :)
Yesh! Definitely a candidate for the IF RPM mash album.
Wow, good stuff!
Quite a lot of this track sounded like you were outdoors and trying to reach the other side of a huge ravine it was echoey and most atmospheric. I liked it!
Very interesting sounds Vaisvil....
Comments made by vaisvil
Man alive!! this is astounding!! what a trip!
As for the song icon for Don't Look Down - a friend made it for me and I am not sure what he used. Subway is a good bet.
Well, I make no claim to the authenticity of Ethno 2 samples - though assuming they are top notch is probably a safe bet. I just released a revised version to my private mailing list and here are the instruments: This piece is a quasi-middle eastern section using the celtic 12, E, and D guitars and the lead Electric Bouzouki plus acoustic bass in Zurna tuning and the percussion includes Timbales, gong, Bendir, Daires, Darbuka, Tamborin, and Sistres.
this is wonderfully sad and mysterious!
beyond just excellent! This is a trip through space to another place, time, and existence! I can't say enough!
Excellent!!
Excellent sounds and I keep wanting to hear more of her :-) I especially like the percussion.
Beautiful!! In composition and execution.
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.