This is a classical finger picked blues / classical guitar solo hybrid with lexicon reverberation and freeze pedal. There is some sloppiness. The idea was to push myself in playing and what I was playing melodically and harmonically.
A Galaxy Teeming With Life is a composition made by manipulating a Hubble space telescope picture, manipulating a sample of Francesca from 8Dio and creating a new tuning that is 256 harmonics of every odd harmonic from 3 without reducing to an…
Remind me to play this at my next garden party. This should make up for the lack of garden and make everyone think I spent a lot more on the punch. Inventive, unsettling, swarmingly clever!
A Galaxy Teeming With Life is a composition made by manipulating a Hubble space telescope picture, manipulating a sample of Francesca from 8Dio and creating a new tuning that is 256 harmonics of every odd harmonic from 3 without reducing to an…
This is a classical finger picked blues / classical guitar solo hybrid with lexicon reverberation and freeze pedal. There is some sloppiness. The idea was to push myself in playing and what I was playing melodically and harmonically.
Very interesting. Alonetone ate my first comment apparently. Thanks for the link the other day as well. Will be doing some reading over there again soon
This is a classical finger picked blues / classical guitar solo hybrid with lexicon reverberation and freeze pedal. There is some sloppiness. The idea was to push myself in playing and what I was playing melodically and harmonically.
This is a classical finger picked blues / classical guitar solo hybrid with lexicon reverberation and freeze pedal. There is some sloppiness. The idea was to push myself in playing and what I was playing melodically and harmonically.
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
Underwater blues - this is why the sea is blue.
Remind me to play this at my next garden party. This should make up for the lack of garden and make everyone think I spent a lot more on the punch. Inventive, unsettling, swarmingly clever!
What a great song! Lovely version!
Menacing!
Very nice!
Very interesting. Alonetone ate my first comment apparently. Thanks for the link the other day as well. Will be doing some reading over there again soon
Well I know you know I like a nice pretty tune but wow Chris, you certainly come up with very clever and unusual ideas.
very nice sound!
It's a good song isn't it? Nice and gently folksy.
Loving these sounds. Its like the sounds our brains would make if we could hear them in action. Awesome work!
Awesome track!
Where did that folky vocal come from?? Nice work, CV!
Sometimes there is a cover that we just can't resist! More than an attempt, you did a good job with this Chris.
Your experiments with pitch/tuning always fascinate.
Our zebra is now taking a walk down the street, and wondering why all the cats are staring at him. Very inventive!
Playful and light. Can see this accompanying a short stop motion film about a toy zebra slowly coming to life. Or something.
honkin' on down
Interesting stuff! I have enough trouble with 12 notes. What do you call all the extra ones!
Elexotica!
Minimalist, twisting sounds - always an intriguing listen!
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.