This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
This is electronic tending towards ambient
The name is a reference to the apparent re-run of The Gods Must be Crazy
http://www.msnbc.msn.com/id/45770560/ns/technology_and_science-space/
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
instantly intrigued, where are we going?
Bass line ,my favorite eq spectrum
Vertical, Linear, melody moves.
Oh yah, The peaty moores, of Hounds of Vaskerville.
Hello Dr. Watson,
Holmes ,Sherlock Holmes
This is electronic tending towards ambient
The name is a reference to the apparent re-run of The Gods Must be Crazy
http://www.msnbc.msn.com/id/45770560/ns/technology_and_science-space/
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
Instantaneously Yours is an internet collaboration between excellent percussionist Norm Harris and myself. I added 12 string, fretless bass and fretless ebowed guitar to Norm's Groove for Saint Ambrose. Since this was done for fun as a serial…
A few of you know I accidentally wiped out one of my SD cards that had all my works in progress on it. I'm just starting to piece it all together again - A slow process. This was supposed to be a reprise to "In My Head", but ended up being in…
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Really nothing more than some voice leading practice. Unfortunately, I had no keyboard or orchestral samples when I did this, so I used Lilypond and TiMidity++ and step programmed it in a text editor. I've since bought Cubase and EastWest/QuantumLeap…
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-)
nice - the sound is so surprisingly robust and resonate in tone.
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
The last track that I'm going to upload for a while. I will be re-recording a few songs to release a LP under my own name. Hopefully it'll be good :)
This one is another exploration using loops and delays. I hope you like it!
A second version with the initial lead guitar standing alone...a little cluttered after a few listens and some constructive feedback!
Norm's Groove for St Monica inspired this one. Thanks Norm!
Lead Guitar, bass guitar and acoustic guitar…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
If you have the fever and the only cure is more tambourine, here it is.
MORE TAMBOURINE SOLOS!! (But you should probably wait until you have the house to yourself...)
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
Hey Richard - for Rumba - the guitar tunings are standard so if you want to play along on your piano it should work. If I remember correctly Brian laid down a basic I-IV-V in D major. I put 7th chords on top of that.
Comments on vaisvil's stuff
To answer your question, it doesn't sound completely in tune to me in places - but the sounds are very compelling.
Well ... I have even more appreciation for the piece now that I know what you are up to. I think it's exceptional.
Overall it sounds good but one of the higher notes in the scale sounds a bit iffy to me. Or am I imagining it? What's the scale?
9/10 "in tune".
I like it. It reminds me of Aaron Copland. I can see using something like this behind a video, or a mood setter in a collection of musical pieces.
sweet stuff here.
Twinkly, sparkly and mysterious!
Ooo, and a tinkly one too! Merry Christmas Chris!
Lovely Christmas feast of harmonious goodies!
up earlie and now very Christmassy .......thanks
music do wonder great job CHris
instantly intrigued, where are we going? Bass line ,my favorite eq spectrum Vertical, Linear, melody moves. Oh yah, The peaty moores, of Hounds of Vaskerville. Hello Dr. Watson, Holmes ,Sherlock Holmes
Love the percussive elements - this is like the windchimes of the supernatural.
Lots of energy right there. Jammin'
Wild stuff! Nice!
Man this is really killer guys. I am diggin the 12 string additions and well actually everything about the track. SWEET!
Oh brilliant! Wildly exotic! Great chemistry fellas!
Instantaneously loved it.
I really enjoyed this track. What a great sound guys!
great collab gents.......I feel a song coming on .....,love the Indian vibe running through......
Comments made by vaisvil
this is very good - like the solid vocal harmonies and leads.
this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.
This is a great tune - I love the percussion and the deep deep sounds.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
nicely done - sounds a bit floydish. Introspective Roger Waters.
all of the compositions are wonderful - I feel emotion from your work.
this is a very nice progression against a pedal point and exposition. I agree the room acoustics are really great - it sounds great!!
very classical period sounding.
well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-) nice - the sound is so surprisingly robust and resonate in tone.
wow - this is complicated!! and cool!
Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.
wonderful!! So this is in part classical guitar? If so great tone!
bizarrely the opening bass riff sounds like the theme to green acres - a usa 60's sitcom.
sounds like my ferrets playing!
excellent!
yes! love the sounds here
this is nice indeed!!
one of my personal favorites too :-)
Dude! You own this place!!
Hey Richard - for Rumba - the guitar tunings are standard so if you want to play along on your piano it should work. If I remember correctly Brian laid down a basic I-IV-V in D major. I put 7th chords on top of that.