The 11th Corridor of Tritave is an ambient piece performed originally on an M-Audio 88es with pianoteq in 11 edt, edited slightly and then ported over to four 11 edt instances of Z3TA+ 2.1 in Sonar X1.
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
The piece that was originally uploaded here had an awful flaw - the sustain pedal was depressed throughout the piece. This is the correct rendering.
The tuning in question is only slightly different from the "normal" 12 equal.
Ah, now it will!
Nice guitar Chris! I tell you what, watching the video and hearing the song, it makes me ashamed for the human race. Ha, that's a laugh, human!
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Wuh, they don't expect anyone to hear their conversations there, do they? Lovely jingly music, very pretty! Sounds orchestrally seasonal!
Damn- this is intense. Nice piece of work!
Agree with Solo, some parts very floydesk enjoyed every bit of it
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
You captured a precious feeling on this one!
Excellent!
Wow, this is so dreamy. Guiding, yet haunting at the same time. Great stuff!
Love the acoustic interplay on this!
Good one.
Nice......
I enjoyed it more and more as time went by and thought it developed beautifully, holding the attention.
excellent....
This is lovely.
Love the midway elements that sound like ghostly vocals - and then the later cello-like echoes. Very lovely!
Lovely flavours - calm before the storm.
You need to put that little guy on t.v. ;)
Crazy hearing SP in Edo, very nice.
excellent....great vocal....
Ah, now it will! Nice guitar Chris! I tell you what, watching the video and hearing the song, it makes me ashamed for the human race. Ha, that's a laugh, human!
No, this one will not play!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!