The 11th Corridor of Tritave is an ambient piece performed originally on an M-Audio 88es with pianoteq in 11 edt, edited slightly and then ported over to four 11 edt instances of Z3TA+ 2.1 in Sonar X1.
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
The piece that was originally uploaded here had an awful flaw - the sustain pedal was depressed throughout the piece. This is the correct rendering.
The tuning in question is only slightly different from the "normal" 12 equal.
Ah, now it will!
Nice guitar Chris! I tell you what, watching the video and hearing the song, it makes me ashamed for the human race. Ha, that's a laugh, human!
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Comments on vaisvil's stuff
Wuh, they don't expect anyone to hear their conversations there, do they? Lovely jingly music, very pretty! Sounds orchestrally seasonal!
Damn- this is intense. Nice piece of work!
Agree with Solo, some parts very floydesk enjoyed every bit of it
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
You captured a precious feeling on this one!
Excellent!
Wow, this is so dreamy. Guiding, yet haunting at the same time. Great stuff!
Love the acoustic interplay on this!
Good one.
Nice......
I enjoyed it more and more as time went by and thought it developed beautifully, holding the attention.
excellent....
This is lovely.
Love the midway elements that sound like ghostly vocals - and then the later cello-like echoes. Very lovely!
Lovely flavours - calm before the storm.
You need to put that little guy on t.v. ;)
Crazy hearing SP in Edo, very nice.
excellent....great vocal....
Ah, now it will! Nice guitar Chris! I tell you what, watching the video and hearing the song, it makes me ashamed for the human race. Ha, that's a laugh, human!
No, this one will not play!
Comments made by vaisvil
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!