The piece that was originally uploaded here had an awful flaw - the sustain pedal was depressed throughout the piece. This is the correct rendering.
The tuning in question is only slightly different from the "normal" 12 equal.
The piece that was originally uploaded here had an awful flaw - the sustain pedal was depressed throughout the piece. This is the correct rendering.
The tuning in question is only slightly different from the "normal" 12 equal.
This is mighty and majestically a pompous circumstancish explosion of sound pure quality in the orchestration and creation => loving it. The abstract theory of its manifestation is beyond comparison. Just awe simple obliterated awe.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Very nice!
Crumbs! She has good balance! Full of grace! Bit like your music really.
Most interesting rhythm at 1.30 ish. Yeah, compelling! Strong and creepy!
My goodness, a most dramatic piece with oriental flavours.
Wonderful stuff! Superb piano playing! Cute Ferret! Bless!
Nice marmot. http://www.youtube.com/watch?v=j3HntMTZX0Y
Very otherworldy, Inventive, and well-structured. This track paints an industrial landscape.
out of Franks left ear.
Left brain/right brain. OK,I'm with you.
nicely rich in sound scape,,, mostly the precussive instrument family? i like the airyness of this,, (wish i knew how to spell)
interesting,, is this a standard tuning?
That ending is way cool!
Very cool and unexpected ending!
Very playful indeed!
i was interrupted, when i listened before, it is a pretty cool loop
sweet. very .. most sweet.
This is mighty and majestically a pompous circumstancish explosion of sound pure quality in the orchestration and creation => loving it. The abstract theory of its manifestation is beyond comparison. Just awe simple obliterated awe.
after three mistakes in a trombone solo I had in high school I decided it was all jazz.. :)
Love the spread on the notes.
at the 1:35 min i set along side the Arp/Beat...Coo1!!!!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!