Heh, I couldn't believe I forgot to share this with my friends here. Well here is the story. I'm sure you'll only listen once and probably not all the way to the end.
Year: 2008
Album:
Singles
Artist's description:
Many years ago…
this is too special for any words right now. the effects are real for art meaning and mind
can I say the cricket effect works like a scream ,, listening now best thing is the 4:33 min length of this.
nice work here. // the avatar I have now is an emo emu that has been warped a little in gimp :) these textures in my latest composition are from 2004 august 22 where i have layered the original tape recording after putting it on cd :) // you know I do not know this song by Firth but it is pleasant for a melodically worked piece. did you play this or just use a midi of the piece then orchestrate the work?
Freakin sweet! :) Have you heard the NESkimos?
http://en.wikipedia.org/wiki/The_NESkimos
Pretty cool band, only have one cd, and it's a burned copy, but they start one of their songs shouting the "extra lives" cheat code to the original Contra. Up,up,down,down,left,right.left,right,b,a,b,a start...haha...can't believe I remember that....
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
This is a solo classical guitar piece in 12 equal. The recording was produced by playing an Epiphone C70CE through a Marshall amplifier's clean channel with reverberation and recording with a Zoom H2. Minimal post - processing was done to the…
Just having some fun. Geas gave me the idea, I was posting the forums about needing Alonetone Awards and he had the idea to just give them to people for tracks that you like.
I got to play this $3,000 8 string baritone Taylor today. Had I $3,000 at all it would have been mine! It has to be one of the best guitars I've ever played and an ingenious string combination.
Congrats!!! You have just won an M.T.C Music award!!!
AWARD: Best Field Recording
Also presenting the following Award- Most tracks uploaded in a single day
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
this is too special for any words right now. the effects are real for art meaning and mind can I say the cricket effect works like a scream ,, listening now best thing is the 4:33 min length of this.
Lingerie, Kitchen Supplies and Ferret Cages all out ... going down?
nice work here. // the avatar I have now is an emo emu that has been warped a little in gimp :) these textures in my latest composition are from 2004 august 22 where i have layered the original tape recording after putting it on cd :) // you know I do not know this song by Firth but it is pleasant for a melodically worked piece. did you play this or just use a midi of the piece then orchestrate the work?
Freakin sweet! :) Have you heard the NESkimos? http://en.wikipedia.org/wiki/The_NESkimos Pretty cool band, only have one cd, and it's a burned copy, but they start one of their songs shouting the "extra lives" cheat code to the original Contra. Up,up,down,down,left,right.left,right,b,a,b,a start...haha...can't believe I remember that....
This is really fun!
rising up thru the air :) nice one - jesmiaus
Great song nice cover mate
Ha ha nice one!
and don't they sound good.........
excellent........going up? ...............
enjoyed that. cheers chappy
Very cool mate.
Great bass mate excellent track top job. Thanks for listening and commenting mate.
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
Just having some fun. Geas gave me the idea, I was posting the forums about needing Alonetone Awards and he had the idea to just give them to people for tracks that you like.
Congrats!!! You have just won an M.T.C Music award!!! AWARD: Best Field Recording Also presenting the following Award- Most tracks uploaded in a single day
Wow! what a track Chris. A lot of work I should think. Most enjoyable.
Bass is solid man. I like your heavier side :)
hitting the hard stuff, I like it. I wanna go listen to some Tool now.
Very cool.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!