Comments on vaisvil's stuff

vaisvil's avatar
Woodwinds and Harpsichord in John O'Sullivan's Blue JI tuning.
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Johnny Stone's avatar
Johnny Stone said

Great track mate very cool.

vaisvil's avatar
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
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Johnny Stone's avatar
Johnny Stone said

Nice one mate.

vaisvil's avatar
Kept in the Cellar is a piece for piano, percussion, and processed street signs in 17 edo.
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Johnny Stone's avatar
Johnny Stone said

Just made my Son Dylan look sideways. Great atmosphere.

vaisvil's avatar
Kept in the Cellar is a piece for piano, percussion, and processed street signs in 17 edo.
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Johnny Stone's avatar
Johnny Stone said

Oh yeh like this one mate very well done.

vaisvil's avatar
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
Uploaded
Guest said

I find this quite soothing but can't help feeling there's more underneath

vaisvil's avatar
Woodwinds and Harpsichord in John O'Sullivan's Blue JI tuning.
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Guest said

I just love this site, theres something for everyone. Played with your usual skill

vaisvil's avatar
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
Uploaded
Guest said

Oh my word. Completely creepy and affecting! And this track has a spookily wrong timer... (1.54, not 1.23.)

vaisvil's avatar
Woodwinds and Harpsichord in John O'Sullivan's Blue JI tuning.
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Guest said

The timer on this 'ere track is lying. It's only 13 seconds out...but that's kind of eerie, no? I mean, what with it being 13 and all. Just saying.

vaisvil's avatar
Woodwinds and Harpsichord in John O'Sullivan's Blue JI tuning.
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Guest said

Timeless and bright.

vaisvil's avatar
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
Uploaded
520's avatar
520 said

wow i found this song to be incredibly eerie lol

vaisvil's avatar
Woodwinds and Harpsichord in John O'Sullivan's Blue JI tuning.
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thetworegs's avatar
thetworegs said

very stately ......medieval

vaisvil's avatar
This is a piece using Garritan World Sample Set (Tibet singing bowls and Tibet bells) and pianoteq. It also uses a non-octave tuning that is an infinite stack of just major seconds (scala file below).
Uploaded
thetworegs's avatar
thetworegs said

I shall have to get this on my phone as an alarm ...........

vaisvil's avatar
I saw discussion of Bleu tuning on the yahoo tuning groups – all of which were tempered to a pure octave. Embolden by Andrew Heathwaite’s 88 cent guitar I decided to try the tuning without tempering to make the octave pure. So I made a scala…
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Wildgeas Music's avatar
Wildgeas Music said

Goes perfect with the image.

vaisvil's avatar
Kept in the Cellar is a piece for piano, percussion, and processed street signs in 17 edo.
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thetworegs's avatar
thetworegs said

make sure that cellar doors locked we don't want it getting out .....excellent atmosphere.....

vaisvil's avatar
Kept in the Cellar is a piece for piano, percussion, and processed street signs in 17 edo.
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Guest said

Remind me never to go in to your cellar. Very atmospheric - cine score me thinks?

vaisvil's avatar
This is a track from my retrospective album Heptadecaphilia. Details, online play, PDF that has background on the music, images, and links to videos are to be found here: http://chrisvaisvil.com/?p=1007
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Guest said

Like the use of the brass vpices - and that bassline is nothing short of superheroesque!

vaisvil's avatar
This is a track from my retrospective album Heptadecaphilia. Details, online play, PDF that has background on the music, images, and links to videos are to be found here: http://chrisvaisvil.com/?p=1007
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Norm's avatar
Norm said

Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17". Quite an impressive collection of "17 equal tones per octave" songs (20!). If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore. It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that. The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point. Strong work, Chris. I philia it.

vaisvil's avatar
This is a track from my retrospective album Heptadecaphilia. Details, online play, PDF that has background on the music, images, and links to videos are to be found here: http://chrisvaisvil.com/?p=1007
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thetworegs's avatar
thetworegs said

tv.errific......

vaisvil's avatar
Fisherman and the Siren by Lord Frederic Leighton This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass). We hope you enjoy it…
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richardlaceves's avatar
richardlaceves said

wow, that about says it all,,,, well done

vaisvil's avatar
This is a track from my retrospective album Heptadecaphilia. Details, online play, PDF that has background on the music, images, and links to videos are to be found here: http://chrisvaisvil.com/?p=1007
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Johnny Stone's avatar
Johnny Stone said

Great beat mate dig it. Thanks for listening and commenting. Cheers.

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