This is finger picked (quasi – classical guitar) improvisation with my wife’s Seagull acoustic guitar with Dean Markley soundhole pick up and AKG microphone with mastering.
This is finger picked (quasi – classical guitar) improvisation with my wife’s Seagull acoustic guitar with Dean Markley soundhole pick up and AKG microphone with mastering.
Hello,
This morning I rendered a Mozart piano sonata. I can see from the midi file that this is a live performance captured from a midi keyboard into a computer. (A live performance doesn't always line up on the bar lines and other such "humanizations…
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
This is finger picked (quasi – classical guitar) improvisation with my wife’s Seagull acoustic guitar with Dean Markley soundhole pick up and AKG microphone with mastering.
This is finger picked (quasi – classical guitar) improvisation with my wife’s Seagull acoustic guitar with Dean Markley soundhole pick up and AKG microphone with mastering.
A manipulated ambient-ish piece
Sound sources, 5 string bass, 18" and 14" china cymbal, cornet, mixed tuning, 6 edo, 12 edo, unconstrained pitch.
kudos for anyone who listens to the whole thing.
5 string bass guitar solo.
Here is me and my 5 string bass, which I really, really like playing despite the pain in my pinky to make those stretches I hear in my mind. The name seems stupid - but way better than STE-018cn.
If you can add to…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
http://chrisvaisvil.com/wp-content/uploads/2011/06/box_harmonics.jpg
I used Paul’s Extreme Stretch (PES) to take a hammer dulcimer + violin improvisation and divide it into seven streams based on just intonation relationships to A at 55 Hz…
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
how cool Chris,, one of my life long favorites,, a piece that i have constantly arranged and played on a variety of instruments throughout my life,, tis truly a gift fun to hear,,, R
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
For the daughters of two of my favorite people.
Bonfire Lullaby
Dannah studies my hands while I play
With heavy eyes at the end of a runaround day
Fading fast ‘neath a summer night’s sky
No need to wonder why
Time stands still in her…
Keith - this is lovely - not only the song / guitar / vocals but also the sentiment and the slice of real life. This is a definition of beauty and serenity and... Love.
It was busy down the cellar tonight.....someone slipped something into Reg's and Jim's drink........now their out there trying to find the gold for the mind from the other side..........we tried to stop them but you know what their like when they…
Reg has put into words want he wants do and why...............
I WANT TO SING
I don't want to be like you or you
I just want to be like me
so i’m going inside myself, to try and figure, the whole thing out
the whole thing out
So i can jump…
Well reg was down the cellar last night watching re runs of Saturday night Live http://www.videolog.tv/video.php?id=503192 that Chris and Norm had sent him and they gave Reg an idea which John who sat quietly watching approved off..........it…
This one is live from the cellar last night...Unplugged recorded with one mic..so close your eyes and imagine me here alone on a wet Monday night in Sheffield in the cellar alone as Elvis and Jim had heard about an Happy hour round the corner…
I heard M.T.C's Session 1 today and thought wow!!! so asked if it was ok if i could jump on for the ride..Jim said Ok! .......so here goes.........a song about loves dream being broken.........thanks again Jim...................based around these…
I'm trying to experiment with intentionally combining two different sounds. Since I seem to find this difficult I am starting with using a drone as one of the sounds taking my inspiration from the opening tracks of the Brian Eno & Jah Wobble…
Reg has done a reading from Edgar Allen Poe's work The Raven for you this evening in one take mistakes and all ....he hopes the words wash over you with some understanding....it was a bit of a tongue twister
Reg was watching the ladies on the dance floor then suddenly one took his eye.................................a bit of noodle that turned into something........
Remastered from 4 track circa 1987. The backing track was shoved into one track (drum machine, casio CZ-101 synthesizer bass, rythmn guitar) - the vocals are buried because I wrote a song that was way way too high for my range. The backwards-ness…
A tune by my friend Darrin Kobetich, I added some electric guitar. Check out Darrin's stuff, available in all the usual places.
http://www.reverbnation.com/darrinkobetich
Comments on vaisvil's stuff
Great tone.
Oh yeh mate liking this one very much. Beautiful.
Nice piano mate great sound
Beautiful mate very well done.
very nicely done,,, the recording, in headphones is rich,the strings really vibrate with a full body,, this is a very nice mellow little improv
Great graphic for this one! Ha!
Alien IV soundtrack. I'm with Norm, this gave me the willies.
great arrangement!
did you have a metronome going in the back ground that only you could hear? the beats seem so balanced in time.
Lovely exotic flavours!
Feels like underwater exploration - very atmospheric.
how cool Chris,, one of my life long favorites,, a piece that i have constantly arranged and played on a variety of instruments throughout my life,, tis truly a gift fun to hear,,, R
Lovely.
And how he danced....
I dig the mood on this -- cool song!
Moody stuff! Cool early Nirvana feel, which is always a good thing.
Nicely done
sickly syncopated , nice lyrics
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
Comments made by vaisvil
Keith - this is lovely - not only the song / guitar / vocals but also the sentiment and the slice of real life. This is a definition of beauty and serenity and... Love.
Did you two find the mushrooms? :-)
Your vocals keep getting better and more "Reg" with every song - its great to listen to !
I think Steve Hackett is very under appreciated. I can't understand why.
great production and concept - I'm with Bethan on this.
I like this version a lot! Nice key work - great vocals as well!
wow! very cool - it sounds a lot like that picture especially towards the end.
I thought you said you couldn't play guitar! This is an awesome cover!! We need to do the Joe Cocker version "With a Little Help From my Friends"!
awesomeness!! Reg I love your inner rock star!
very nice - alien sounds - it should be the world anthem for the spacer world Aurora in Asimov's I Robot series.
can I set this to music?? This awesome!
I like the effects! nice groove
I do like the sound of the guitar lead 3-ish quite a lot.
Enjoyed - I like your progressive rock / electro sound here.
excellent cover.
PBS on Wall Street Protests http://video.pbs.org/video/2147489762
PBS had a good segment on Occupy Wall Street it is the beginning of the show. http://video.pbs.org/video/2147489762
I'd love an album of this music!
Lovely - beautiful playing Kavin!!
wonderful emotive playing!