A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
This will sound out of tune and very odd to most people... and certainly its not a "quality instrument". But it IS lo-fi :-)
I changed my $30 electric guitar from Just Intonation fretting to 14 equal notes per octave using cable ties, loaded…
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
I was listening to Andy Casson's song Old ladies over on Songcrafters and it got Reg thinking........... could this be the last song i ever hear................so Reg went down the cellar to write a one chord song using only the notes that make…
Bob and Reg got together tonight down the cellar and came up with this one dedicated to Desirea......Reg didn’t realise at the time but Desirea had got her hooks into Bob as well during her time down the cellar....but hey, all's well in love and…
a song about hoping for the best for all of us. the ending riff is about angst and disapointment and i use a flange on the ending lead guitar work. the closing of the song inspired me to make another song called locked door to my soul.
performed by Ashley Reynolds
from the album "Sunny, sorta..."
and she opened her eyes
the frailness all gone
but she wasn’t surprised
it was fortold all along
and the healing complete
not a shell anymore
what a magical feat…
this song - purple mountains was iriginally a jam back in 75. chris vaisvil was the guitarist and i always remembered it cause i liked it. he had an echo-plex then and it was pretty psychedelic. no keys were originally in the song but it was a…
Elvis got philosophising in the cellar again last night.........................so Louie and Reg got Bluesy with him and this is what turned out of the session.........
DREAMER(Lyrics)
Well I asked the mirror if my dreams would come true…
You'll never guess who turned up last night but the old Baird himself ....Will....Him and Louie jumped up to do this one for the cellar crowd...........
rockin!!
If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already.
All the best,
Chris
Oh - don't forget the contest!
http://www.untwelve.org/2011_competition.html
Intentional or not you sound like a 78 rpm record - it is like listening to folk song from the 30's - that is very cool. I like you composition and obviously the production.
Reg has been thinking he's fed up with all this celebrity crap.......the emperor is naked can't you see..........
CELEBRITY STRIFE (Lyrics)
I’ve said this once
I’ve said this twice
I don’t give a damn about the celebrities life
About who…
Celebrities at one time were paid to live the life the audience wouldn't dare to live. That was the real entertainment.
Its like the fake preacher at the entrance of the Renaissance fair who was on a tree stump yelling "Don't go in - it will make you a sinner! Inside is just sin! You will go to Hell if you go inside!" And I shouted back - "What if I pay you to go in and sin for me?" He stopped a moment looking thoughtful and then said "How much will you pay me?"
They were Black and Blue but finally Elvis got up and did his stint in the Live in the Living room fest....................................it was good practice for his strumming, cause by god does he need it.....but no one dare tell him…
The energy levels were at an all time high this weekend when Bon and jimi turned up down the Cellar for a session. Here's a little something from the session........... Reg'n'Roll...other Reg really blisters the guitar on this one
OH WHAT A…
Reg got reminiscing tonight down in the cellar and decided to cover this classic by dear old Rodney..............the piano needs a bit of work....but hey at least i'm trying ...at least i've found out what a F sharp minor is this evening and that…
Oh well, nothing like going to a middle school music function to break writers block, all those posters and flare about achievement...
Special thanks to my sons middle school band, The Preston Pumas playing at the end !
jqscutt posted the acoustic guitar track looking for ideas, not sure if it turned into the genre he was looking for :)
The auuuggga horn sound was another classic unplanned phone interruption during the vocal recording but it seems to fit in…
Comments on vaisvil's stuff
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?
pretty cool
pretty cool,,
Ha, wow, fascinating!
I enjoyed this, it's most interesting and compelling.
A jazzy little peach!
An enjoyable and delightful song.
Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.
Wow now thats cool great sound mate.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Peachy!
Jazzerremendous...........
I can listen to this all day! awesome!
Outstanding.
Love it
Killer sound and nice playing
some very moody blues there (not referring to the band)! Well played. Some old Beck/Clapton/Page sounds shining through.
cool composition man. you asked about "One Chord & Four Notes" - nope i don't think i ever used b major, only arpeggiated down Bsus2.
Nice one mate excellent.
Comments made by vaisvil
Is there a connection with Desiree? Who is the real Desiree? http://en.wikipedia.org/wiki/Succubus
I feel for Bob - he don't deserve the misery that's coming down the road...
love the deep phaser solo!
great!
shock the monkey!
Beautiful - love the music and video!
heh! It didn't sound this good then!
acid rain? :-)
nice! Good backing and vocals!
You read poetry very well! Enjoyed!
rockin!! If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already. All the best, Chris Oh - don't forget the contest! http://www.untwelve.org/2011_competition.html
nice - is this in 19edo?
nice BP piece!! What are you using for your microtonal setup? And welcome fellow microtonalist!!
Intentional or not you sound like a 78 rpm record - it is like listening to folk song from the 30's - that is very cool. I like you composition and obviously the production.
Celebrities at one time were paid to live the life the audience wouldn't dare to live. That was the real entertainment. Its like the fake preacher at the entrance of the Renaissance fair who was on a tree stump yelling "Don't go in - it will make you a sinner! Inside is just sin! You will go to Hell if you go inside!" And I shouted back - "What if I pay you to go in and sin for me?" He stopped a moment looking thoughtful and then said "How much will you pay me?"
oh this is awesome with Elvis doing this!!
excellent work all around! We should call you Mr. Music!
Did you gargle with the obligatory razor blades before the take? Excellent cover!
Brilliant!!
didn't hear the phone the 1st time around but I love the singing and lyrics.