I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.

interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?

pretty cool

pretty cool,,

Ha, wow, fascinating!

I enjoyed this, it's most interesting and compelling.

A jazzy little peach!

An enjoyable and delightful song.

Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.

Wow now thats cool great sound mate.

On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.

Peachy!

Jazzerremendous...........

I can listen to this all day! awesome!

Outstanding.

Love it

Killer sound and nice playing

some very moody blues there (not referring to the band)! Well played. Some old Beck/Clapton/Page sounds shining through.

This is were its at!! Groovy!!

Is there a connection with Desiree? Who is the real Desiree? http://en.wikipedia.org/wiki/Succubus

I feel for Bob - he don't deserve the misery that's coming down the road...

love the deep phaser solo!

great!

shock the monkey!

Beautiful - love the music and video!

heh! It didn't sound this good then!

acid rain? :-)

nice! Good backing and vocals!

You read poetry very well! Enjoyed!

rockin!! If you are on facebook be sure to look up xenharmonic alliance and join your fellow microtonalists. I posted a link to your music there already. All the best, Chris Oh - don't forget the contest! http://www.untwelve.org/2011_competition.html

nice - is this in 19edo?

nice BP piece!! What are you using for your microtonal setup? And welcome fellow microtonalist!!

Intentional or not you sound like a 78 rpm record - it is like listening to folk song from the 30's - that is very cool. I like you composition and obviously the production.

Celebrities at one time were paid to live the life the audience wouldn't dare to live. That was the real entertainment. Its like the fake preacher at the entrance of the Renaissance fair who was on a tree stump yelling "Don't go in - it will make you a sinner! Inside is just sin! You will go to Hell if you go inside!" And I shouted back - "What if I pay you to go in and sin for me?" He stopped a moment looking thoughtful and then said "How much will you pay me?"

oh this is awesome with Elvis doing this!!

excellent work all around! We should call you Mr. Music!

Did you gargle with the obligatory razor blades before the take? Excellent cover!

Brilliant!!