"Farmer's Blow" is redneck rap. Oh yeah, I went there.
- - -
If you're on the run
And your nose has gotta go
Don't grab a tissue
Do the farmer's blow
Just tilt your head
To the side
Then block one nostril
And let it ride
You may think
That…
"Farmer's Blow" is redneck rap. Oh yeah, I went there.
- - -
If you're on the run
And your nose has gotta go
Don't grab a tissue
Do the farmer's blow
Just tilt your head
To the side
Then block one nostril
And let it ride
You may think
That…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
Did I mention I'm taping my songwriting sessions?
So I now have about 30 minutes of footage of me totally screwing around at the beginning of this session. Listening to Spotify. Playing melodies by ear and such.
And then I finally decided…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
Did I mention I'm taping my songwriting sessions?
So I now have about 30 minutes of footage of me totally screwing around at the beginning of this session. Listening to Spotify. Playing melodies by ear and such.
And then I finally decided…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
Song #4 for FAWM. More solo piano.
One of the things I struggle with, with all of these pure piano pieces is how much to edit/fix them.
Way way back in the day, I quantized everything precisely and made all of the velocities the same. To…
Another beautiful piece. I think a drummer said it, something like, "I spent 30 years trying to be perfect, and now I'm trying to unlearn it." Or something like that...being human is always better than being "perfect."
Let us celebrate our failures and our successes!
I submit my failure here for consideration.
I actually want to do something more with this just because it's a lot darker than I usually write. Unfortunately, it never turned into something musical…
Song #4 for FAWM. More solo piano.
One of the things I struggle with, with all of these pure piano pieces is how much to edit/fix them.
Way way back in the day, I quantized everything precisely and made all of the velocities the same. To…
Um. If you enjoyed "solo piano 20100201", you'll probably enjoy this similarly titled piece.
Hugs to all my fellow alonetoners who listened/commented on yesterday's track.
I'm looking forward to catching up on all of the great music you…
I might as well officially say that I’m attempting to go 28 for 28.
Maybe nuts, but I seem to feel the need to prove to myself that I’m the same person who could write a song a day (24 in 24) back in August.
This song has lyrics, but you wouldn…
Song #4 for FAWM. More solo piano.
One of the things I struggle with, with all of these pure piano pieces is how much to edit/fix them.
Way way back in the day, I quantized everything precisely and made all of the velocities the same. To…
I might as well officially say that I’m attempting to go 28 for 28.
Maybe nuts, but I seem to feel the need to prove to myself that I’m the same person who could write a song a day (24 in 24) back in August.
This song has lyrics, but you wouldn…
28 tunes would make a great CD...I hope you can do it. Yeah, I remember the days I wrote so much music I had to use dates and letters for titles...but most of that got recorded, glad you're getting yours down.
I excel at disappearing for long stretches, eh?
I think with this I'm officially committing to doing FAWM.
And R.I.P. my songwriting drought. August 27th, 2009 - February 1st, 2010.
Um. If you enjoyed "solo piano 20100201", you'll probably enjoy this similarly titled piece.
Hugs to all my fellow alonetoners who listened/commented on yesterday's track.
I'm looking forward to catching up on all of the great music you…
Um. If you enjoyed "solo piano 20100201", you'll probably enjoy this similarly titled piece.
Hugs to all my fellow alonetoners who listened/commented on yesterday's track.
I'm looking forward to catching up on all of the great music you…
Um. If you enjoyed "solo piano 20100201", you'll probably enjoy this similarly titled piece.
Hugs to all my fellow alonetoners who listened/commented on yesterday's track.
I'm looking forward to catching up on all of the great music you…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Damn. How on earth do you manage to get all of these separate things to fit together so well?
And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
Written and Recorded: Feb 07, 2010
Details: Epiphone Les Paul (DADGAD - capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
2010 RPM Challenge
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Really interesting to hear your take on electronica, if you will.
Definitely looking forward to seeing what hybrid electronic/acoustic songs you come up with!
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Written and Recorded: Feb 05, 2010
Details: Epiphone Les Paul (DADGAD - capo V), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
2010 RPM Challenge
This is the first tune for my 2010 RPM Challenge.
A bit short...my first attempt earlier in the evening (completely different tune) I ended up scrapping at 1:30 a.m., so this one was done in just a few minutes...
Written and Recorded: Feb…
By no means the first song that popped out. It's just the first one I'm calling done beyond a remix. I think this will wind up leading in to a metal tune and will likely be shorter.
Written and Recorded: Feb 04, 2010
Details: Epiphone Les Paul (DADGAD - capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
2010 RPM Challenge
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :)
When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think.
But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :)
That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another.
As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it."
Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it.
I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole.
And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
Late night improvisation in remembrance of my father.
This is the first song I ever wrote that I was proud of. and I haven't matched it since. I had the first line in my head for like a year, then I switched it round and had the second line. With that, I sat down at my guitar and played the first…
This song is about someone giving you a lift, and while they drive you there you fall in love with them by watching their eyes in the rear view mirror. It had like five verses but I cUt it down to two with one repeated. In cutting those verses…
I won't claim to know anything about expiring free trials. :)
You might give Reaper a try. I haven't used it, but I've heard good things over the years. And it's the "full, uncrippled, unexpiring evaluation version".
http://www.reaper.fm/
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
"blah blah blah"
Proof that some of the things that the composer finds mundane, fascinates the rest of us.
Where's my "how to glu" distance learning course?
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Comments on yelyah's stuff
LMAO!!!!
Hahahaha! "Seriously, do NOT snot on a bear!"
Another nice piano tune. I'm really enjoying your "album."
Really enjoying your beautiful melodies.
Very autumnal. :-)
Aw, bittersweet this one, Yelyah. Delicately played - I can hear a whole orchestra slowly joining in from about 1.09! Inspiring!
Lovely meditative quality about it!
I like this.
Ther are tons of resources on youtube.com This is really beautiful by the way.
Another beautiful piece. I think a drummer said it, something like, "I spent 30 years trying to be perfect, and now I'm trying to unlearn it." Or something like that...being human is always better than being "perfect."
Brilliant!!!
Sounds great!
My fave so far. This is twinkly and dare I say, a little folky? I can hear a fiddle line! That was me.
28!? Well played! (Your melody sounds like a vocal line - when are you going to bless these tracks with your lovely voice?)
Sounds pretty tight to me! Nice!!
28 tunes would make a great CD...I hope you can do it. Yeah, I remember the days I wrote so much music I had to use dates and letters for titles...but most of that got recorded, glad you're getting yours down.
I think it's dreadful that you stay away for such long stretches. :-) This is lovely. More please.
More, more, please, more!!!
Another nice one!
moving composition. Thanks for sharing :)
Comments made by yelyah
Damn. How on earth do you manage to get all of these separate things to fit together so well? And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
Very out there man! I'd love to see a walkthrough of your setup some time.
Another lovely one! Looking forward to the next.
Really interesting to hear your take on electronica, if you will. Definitely looking forward to seeing what hybrid electronic/acoustic songs you come up with!
Enchanting. Love all of the change-ups (if that's the word) that you have in this piece.
Dig all of the guitar layers going on in this one!
Dig this funky little track. Leaves me wanting more!
I hear some cinematic themes here. Lovely and moving!
(Hoping I'm hearing this right...) There's something that really works about the tunings that adds some lovely depth and color to this!
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :) When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think. But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :) That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another. As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it." Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it. I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole. And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
so beautiful
lovely!
Kirk Lynch does indeed humble us all. But you're also not giving yourself enough credit. :)
short but beautiful!
Wow. Just so lovely and... drift-y.
I love this one on so many different levels!
"and I haven't matched it since" I've had that feeling before. And there's only one fix for it. Write more material. So keep going. :)
I won't claim to know anything about expiring free trials. :) You might give Reaper a try. I haven't used it, but I've heard good things over the years. And it's the "full, uncrippled, unexpiring evaluation version". http://www.reaper.fm/
"blah blah blah" Proof that some of the things that the composer finds mundane, fascinates the rest of us. Where's my "how to glu" distance learning course?
Lovely as always! And cute story. :)