This was written during the challenge in february and was meant to be the title track. But I never really got time to develop it. I still like it though, so I thought I'd cut it rough, leave it undeveloped, and chuck it out there to see what you…

This was written during the challenge in february and was meant to be the title track. But I never really got time to develop it. I still like it though, so I thought I'd cut it rough, leave it undeveloped, and chuck it out there to see what you…

Thought I'd take another stab at this old track. I've had it with it now, so this is how it will stay - warts n all. :)

This was written during the challenge in february and was meant to be the title track. But I never really got time to develop it. I still like it though, so I thought I'd cut it rough, leave it undeveloped, and chuck it out there to see what you…

Thought I'd take another stab at this old track. I've had it with it now, so this is how it will stay - warts n all. :)

And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.

This piece is composed in a mode of 15 equal notes per octave with scale steps: 2 2 2 3 2 2 2 (formal name) Fifteen-tone Miller's Porcupine-7

Alee- own - ee - rection. It's got a mind of its own. And when it comes, its gonna be the death of you all.