lovely,, a great travel through sound space,,, many thoughts/feelings through the mind while i listen... is there perhaps a bit of north African influence in this and some of your other work? something about this (not just the percussion) seems to have a Arabic/ med feeling... anyhow... well done once again R
Glad you like "sledge".The mix has been killing me. I've still got vocal work to do, issues with bass, and drums, but sometimes I have to not listen to it for about a week, then go back and fine tune.
Oh my my my.
I agree with Norm all the way.
This climbs and builds and deepens...and then we have almost tribal sounding windchimes! You've just invented a new sound.
A-m-a-z-i-n-g, Alister Flint.
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
This is a short soft Jazz piece I found while playing through a few chords this evening.
Guitar split (GR-20) left and right + (GR-20) sax.
Maybe a certain percussionist might join in when he can?
-
3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
most excellent! something post-Waters in sounding and creativity, and the tortured vocal is totally unexpected, inventive and grabs the listener attention firmly!
What happened after too much time on youtube watching live vids of "voodoo chile" Noisy obnoxious and very cathartic for me! Live to 2tracks with the Jamman
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Norm's percussions were very inspiring, and your playing blends in so smoothly, a delicious piece, very creative, with lots of images from Sahrzad palace..
this hit me as simply beautiful, first time i've heard it back at tis. and it hasn't changed a bit, since then. the marriage of the flute and the guitar is so moving..
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
This is my first effort with real bongos. I've been so inspired by Norm's talents, that I had to give it a try. I borrowed a set of bongos from my brother Asa.
http://alonetone.com/asalennon
I had to play 18 holes of golf to get my hands…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Guitar: Doug Sparling
Composer: Doug Sparling
Written/Recorded: 2006
A "B" side from the "Stray Onto The Path" CD that I never released, in fact, I'd forgotten I'd even recorded it until today when I stumbled across the track. It's one I didn…
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
Rumba Columbia is a traditional Cuban pattern in 6: the "go-to" pattern for 12/8 - if you have only heard one Afro-Cuban rhythm in 12/8, this is probably it. As an energetic Afro-Cuban dance, Rumba was often suppressed and restricted because it…
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
still one of my personal faves. - although i'd wish to redo some parts, i'm stuck with this version, since i don't own one of the synths used there anymore..
(original photo)
Comments on Alister Flint's stuff
lovely,, a great travel through sound space,,, many thoughts/feelings through the mind while i listen... is there perhaps a bit of north African influence in this and some of your other work? something about this (not just the percussion) seems to have a Arabic/ med feeling... anyhow... well done once again R
Glad you like "sledge".The mix has been killing me. I've still got vocal work to do, issues with bass, and drums, but sometimes I have to not listen to it for about a week, then go back and fine tune.
Your mixing ear is dangerously close to perfection. Awesome engineering.
Damn fine piece of work laddy. Damn Fine!!
Very cool sounds here.
thanks a lot to everyone for listening!
Cal it "ambient" if you like, mate. Good shit.
This is a great tune - I love the percussion and the deep deep sounds.
Found myself with eyes closed just taking it all in. Great stuff!
Awesome.
excellent AF
Oh my my my. I agree with Norm all the way. This climbs and builds and deepens...and then we have almost tribal sounding windchimes! You've just invented a new sound. A-m-a-z-i-n-g, Alister Flint.
This is brilliant. Perhaps my favorite of your work so far.
..'been diggin it all.. :)))))))))))))))))))))
I cant believe I missed this, very chillin track indeed, I really like when the base comes in around 230, and.. that pic is a trip
from the little i'd gather, this is real, yes! and yes, i'm getting to really like that lens i've made.. keep things mysterious (right!) ;)
Hilarious! Yep, I thought I was looking at a Hubble photo. Great example of the power of suggestion. That Flint lens gets me every time - there's no way the photo used here is for real, right? Looks dangerous to me.
@Norm: you might actually be surprised ;) (i've included link to the original photo in the description..) and thanks to all for listening.
@Norm: you might actually be surprised: Giant Blue and a Red Dwarf and thanks to all for listening.
Ooo, atmospheric stuff and draws in the listener. Terrific depth.
Comments made by Alister Flint
i actually had this for morning breakfast, it was just perfect!
great piece, and excellent transposition!
most excellent! something post-Waters in sounding and creativity, and the tortured vocal is totally unexpected, inventive and grabs the listener attention firmly!
so wild!! catharsis is a bliss..
thanks a lot to everyone for listening! @Chris: "World Electro" eh? i like that!
Norm's percussions were very inspiring, and your playing blends in so smoothly, a delicious piece, very creative, with lots of images from Sahrzad palace..
this hit me as simply beautiful, first time i've heard it back at tis. and it hasn't changed a bit, since then. the marriage of the flute and the guitar is so moving..
what a great story telling! the oboe is just a delight for the ears..
for a first timer, it's some serious groovy bongos you got there! and the guitar riff is catchy! muy caliente!
"elegant" indeed and rather pleasant to listen to..
thanks a lot to everyone for listening!
beautiful piece, and maybe my fav, of your microtonal repertoire..
would make a great soundtrack for the next 007..
quite Oldfieldian, and although it stands on its own as is, i think it deserves you try and finish it..
there is "rain forest" written all over this! simply excellent..
ahahahah, quite excellent! it's like a window opened over you guys playing.. and how about you get an answering machine? :p
yes, sorry don't know why, i couldn't reply under my login, at time..
from the little i'd gather, this is real, yes! and yes, i'm getting to really like that lens i've made.. keep things mysterious (right!) ;)
@Norm: you might actually be surprised ;) (i've included link to the original photo in the description..) and thanks to all for listening.
@Norm: you might actually be surprised: Giant Blue and a Red Dwarf and thanks to all for listening.