Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well.
I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
09 – Carry On Crying. Written and recorded on 12th/17th Feb.
A 5/4 romp starring Sid James and Hattie Jacques. Godley and Creme will direct the video.
Info and lyrics at www.butterflypolite.com/uglifruit
This one was inspired by Wen's mom; and is therefore dedicated to all those musicians doing RPM, and all musicians who toil away at home to make their music despite what their friends & co-workers might think of their efforts.
That didn't stop her.
Main vocals/bleeps by Shreya, keys and backing vocals by me. Actually, my baby daughter was in my arms while I was doing those vocals and she started crying. Even though I cropped that part, I didn't use any noise reduction…
I like how you work the snare drums and bass in around the 1:30 mark. You scared the crap out of me, though.
I was standing in my bathroom wearing stereo headphones, and I thought my pipes had exploded or something.
This is well-assembled. The production is fantastic, as are the vocals. I like the atmospheric background sounds - it takes it up to the next level, IMHO.
First day back from the jungle in Central America, remixed this tune. Had to start off the new year in the U.S.A reminding myself that captivity will keep me returning to the jungle forever.
24 hours of music making for 2008.
Yup. This is a "Gaiman variation" which means that I stopped at 24 hours and this is what I've got. Not 24 min, but it is a "Noble Failure"
You can see my 2007 album [here](http://alonetone.com/sudara…
Fantastic production on this one.. Very immersive, and it makes good use of both the left and the right channel.
The only thing you may want to do is use noise reduction on the track to remove the background hiss.
Imagine that you are that lump of enchanted wood on the workbench.... and instead of Pinocchio you can be anything... maybe even a stratavarious... thanx to my friend Dave Edwards for the real violin trax
Comments on AMUC's stuff
nice work on your 24hr. sounds like it was fun to make.
This is great. Supremely atmospheric.
Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well. I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
right on! love the monstrosity! good work!
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
Okay - you have me dancing around my apartment like a complete dweeb. Hence, this is a good track.
This is incredible. The harmonies here are spot-on, and the production is pretty perfect.
Wow.. This really takes you somewhere else. The piano reminds me of Robert Miles.
The background dialogue is great. =)
I like how you work the snare drums and bass in around the 1:30 mark. You scared the crap out of me, though. I was standing in my bathroom wearing stereo headphones, and I thought my pipes had exploded or something.
Kind of hypnotic.. The voice has a droning effect - it works well with the song.
Nice.. This really reminds me of Vangelis.
This is well-assembled. The production is fantastic, as are the vocals. I like the atmospheric background sounds - it takes it up to the next level, IMHO.
This is catchy.. I like the way the percussion, breath instruments and vocals play off each other..
Great harmonization. You don't hear much of that anymore.
Very interesting. I think you're onto something here.. Some of the synth sounds remind me of ELP.
This is jaw-droppingly good. It's somewhere between Tangerine Dream/David Arkenstone-esque electronica and old school progressive rock.
This is pretty catchy. I like the horns.
I like what you do with the Brian Eno dialogue here - it fits right in to the music.
This flows nicely - lots of different elements that balance each other out well.
Fantastic production on this one.. Very immersive, and it makes good use of both the left and the right channel. The only thing you may want to do is use noise reduction on the track to remove the background hiss.
I'm a big fan of number stations - I like this trippy tribute.
Very haunting.. It paints a scene well.
Heh. This is clever. You could probably put a horror twist on it - any tree turned into an instrument would have to be cut into pieces first. =)
This is godly. What software did you use to make this?