Part Of Kitchen Sink, the RPM 2012 album for AMUC.
It started out as a tribute to the old sci-fi movie, "The Quiet Earth", and became something else.
Freesound samples used:
42190__digifishmusic__siiiilence.wav
20765__radian__sorrysorry…
Part Of Kitchen Sink, the RPM 2012 album for AMUC.
I was planning to write a love song, but .. it didn't quite come out that way.
3/11/12 - I re-recorded the first verse with better-sounding vocals. I'm leaving the version on the RPM Jukebox…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Spun around like a seer's needle
A philosopher so lost in his riddle
Tries to speak but no longer able
Drifting in the deepest dream
---
This one took me a while [years!] to complete - how did it come out?
Freesound samples used…
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
Interesting,saw you hit on one of my tunes but hearing this I think you'd find Awakenings and Morning Prayer a better suit.These two songs and I have a few more are unrehearsed unplanned and totally spontanious, from one single improvised session. I know it's rough and primitive however it was picked right out of the cosmos
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
Sometimes it's easier to run with the flawed routines we're familiar with than to turn over a new leaf..
Compare to "Firecracker" and "Livewire" from RPM 2010 and 2009 respectively.
The most challenging track to record during the RPM Challenge this year. I like how a lot of it turned out, but there were so many clashing pieces, that I was pulling my hair out trying to assemble it.
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
09 – Carry On Crying. Written and recorded on 12th/17th Feb.
A 5/4 romp starring Sid James and Hattie Jacques. Godley and Creme will direct the video.
Info and lyrics at www.butterflypolite.com/uglifruit
This one was inspired by Wen's mom; and is therefore dedicated to all those musicians doing RPM, and all musicians who toil away at home to make their music despite what their friends & co-workers might think of their efforts.
That didn't stop her.
Main vocals/bleeps by Shreya, keys and backing vocals by me. Actually, my baby daughter was in my arms while I was doing those vocals and she started crying. Even though I cropped that part, I didn't use any noise reduction…
I like how you work the snare drums and bass in around the 1:30 mark. You scared the crap out of me, though.
I was standing in my bathroom wearing stereo headphones, and I thought my pipes had exploded or something.
This is well-assembled. The production is fantastic, as are the vocals. I like the atmospheric background sounds - it takes it up to the next level, IMHO.
First day back from the jungle in Central America, remixed this tune. Had to start off the new year in the U.S.A reminding myself that captivity will keep me returning to the jungle forever.
24 hours of music making for 2008.
Yup. This is a "Gaiman variation" which means that I stopped at 24 hours and this is what I've got. Not 24 min, but it is a "Noble Failure"
You can see my 2007 album [here](http://alonetone.com/sudara…
Fantastic production on this one.. Very immersive, and it makes good use of both the left and the right channel.
The only thing you may want to do is use noise reduction on the track to remove the background hiss.
Imagine that you are that lump of enchanted wood on the workbench.... and instead of Pinocchio you can be anything... maybe even a stratavarious... thanx to my friend Dave Edwards for the real violin trax
Comments on AMUC's stuff
Great start! Love that sound. A melodica?
What kind of synthage used here? I like it.
Dig it. Sounds like toy music. In a good way. Very atmospheric.
The title drew me in... It goes from a vibe that sounds like electronic 'Yes' and then takes on a Dylan-esque quality... Fun!
Brilliantly pieced together. Awesome track!
Whoa love how this starts
Cool, great prog rock track, I like extended works.
Wow! Thanks to Tess for pointing this one out. Great piece of work! Mix sounds really good in cans
An 8 minute adventure - just great! Love the traditional folk flavours in your melody.
I always wanted to do something that sounded like this. Sounds awesome!
Interesting,saw you hit on one of my tunes but hearing this I think you'd find Awakenings and Morning Prayer a better suit.These two songs and I have a few more are unrehearsed unplanned and totally spontanious, from one single improvised session. I know it's rough and primitive however it was picked right out of the cosmos
really dig the textures in this one, nice work.
Cool atmospherics
Neat, interesting in places, love the concept of perpetual change.
What a bloody good mix , i love it
sooo dope love the melody changes
very clever.
Hahaha wicked!!
Some freaky moments
Gentle and soothing, like the odd weird noises too, cool.
Comments made by AMUC
Okay - you have me dancing around my apartment like a complete dweeb. Hence, this is a good track.
This is incredible. The harmonies here are spot-on, and the production is pretty perfect.
Wow.. This really takes you somewhere else. The piano reminds me of Robert Miles.
The background dialogue is great. =)
I like how you work the snare drums and bass in around the 1:30 mark. You scared the crap out of me, though. I was standing in my bathroom wearing stereo headphones, and I thought my pipes had exploded or something.
Kind of hypnotic.. The voice has a droning effect - it works well with the song.
Nice.. This really reminds me of Vangelis.
This is well-assembled. The production is fantastic, as are the vocals. I like the atmospheric background sounds - it takes it up to the next level, IMHO.
This is catchy.. I like the way the percussion, breath instruments and vocals play off each other..
Great harmonization. You don't hear much of that anymore.
Very interesting. I think you're onto something here.. Some of the synth sounds remind me of ELP.
This is jaw-droppingly good. It's somewhere between Tangerine Dream/David Arkenstone-esque electronica and old school progressive rock.
This is pretty catchy. I like the horns.
I like what you do with the Brian Eno dialogue here - it fits right in to the music.
This flows nicely - lots of different elements that balance each other out well.
Fantastic production on this one.. Very immersive, and it makes good use of both the left and the right channel. The only thing you may want to do is use noise reduction on the track to remove the background hiss.
I'm a big fan of number stations - I like this trippy tribute.
Very haunting.. It paints a scene well.
Heh. This is clever. You could probably put a horror twist on it - any tree turned into an instrument would have to be cut into pieces first. =)
This is godly. What software did you use to make this?