.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
"Deal Breaker" from the RPM Challenge Album "Dearly Beloved" by the band Doll Butcher. A blend of rock, metal and electronic music, this song is a father's perspective during a military attack in which he realizes his family will become refugees.
Hanging on my closet, I have a sticker for Narraganset beer and a mock-road-sign reading "Dystopia" with an arrow pointing both directions. The juxtaposition was unintentional, but I decided I liked it.
The Dystopia name works here. It sounds like the sort of song that would play the first day after the end of the world in some eight bit chip-tune reality. It's kind of bittersweet.
Modern Language is Lucid Optics on rhymes and Museum on production. This song is from the Ok Txt Me EP. Read more here: http://www.imposemagazine.com/bytes/new-music/modern-language-ok-txt-me
The second part of the new album "Space".
The songs are:
Barrel of a Gun
Afterlife
Somewhere South
The Walking Dead
Thanks for listening. More to come . . .
I'm digging whatever song it is that's playing around six minute mark here. I like the way the melody flutters around unexpectedly. It would be nice if the album was divided up song by song. (Easier to navigate that way.)
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
This is the sort of thing that I would set on a time delay to begin playing while I'm already asleep. I could see it subtly interacting with my dreams and sending them in interesting directions.
This is fantastic - the lyrics are thought out very well and interweave nicely with the synthesizers. You're totally right - it has an 80s vibe to it. (Maybe late 80s / early 90s.)
Comments on AMUC's stuff
This reminds me of Hawkwind in places dig it very cool.
Like it, clean and clear sounding, refreshing with retro touches, nice one! :)
good mix
pretty damn good! i like the way it whirls with some cool sounds and the rhythm is tight.
Very cool
I love the atmosphere you create with your work. This one particularly. Great work!
Nicely done great mix.
Oh yea!! Danceable dynamite. Nice, clean production.
:)
Very clever! Love the vocal and synthy goodness, as always.
heavy breathing- captivating.
something very soothing about your songs....the bass guitar, very cool!
interesting piece, panning and the click voice was cool.
LOVE, LOVE, LOVE the synth sounds here. Well done.
You got any good theories on what "Lost" was supposed to really be about. You seem to have some kinda deep insight here with your music. I like it.
Mind=blown at this concept of yours. Brilliant I say.
i always love your lyrics
well done...AGAIN :)
FNG!
dats neat.
Comments made by AMUC
I'm digging this album - just the little morsel-sized audio capsule of 'wake-up' that I needed.
I'm digging the instrumentation on this one - it's very lush. You really get sucked right into it.
I'm digging this - it's catchy. It has an 'Arabian Nights' sort of vibe to it.
Catchy little ditty. I'm digging the vocals. The album art? Is that a reference to The Quiet Earth? That was the first thing that came to mind.
The Dystopia name works here. It sounds like the sort of song that would play the first day after the end of the world in some eight bit chip-tune reality. It's kind of bittersweet.
I like melodic twists and turns this one takes. It has an off-kilter/unsettling sort of atmosphere to it.
This has a nice crunch to it. The sound production on it is top notch as well (and louder rock is not easy to mix at all.)
Ha - naturally a song like this comes on when I'm trying (unsuccessfully) to replace the blinds on my window. The lyrics fit the task perfectly.
Nice - reminds me of Black Sabbath or Count Raven.
This is fantastic -- I like the interplay between the rapping and the sung choruses.
I really liked this one. Very relaxing - it helped me to unwind.
I'm digging whatever song it is that's playing around six minute mark here. I like the way the melody flutters around unexpectedly. It would be nice if the album was divided up song by song. (Easier to navigate that way.)
I like the minimalism of this. You do a lot with a very simple synthesizer. This is the sort of thing I could envision playing over a shortwave radio in the middle of the night, announcing the commencement of a number station or something.
I'm digging some of the sound effects you're making here. Was that an FFT-style synthesizer you were using at the very beginning?
This is the sort of thing that I would set on a time delay to begin playing while I'm already asleep. I could see it subtly interacting with my dreams and sending them in interesting directions.
Ha! A swimming pool of espresso sounds really good right about now. =)
This is fantastic - the lyrics are thought out very well and interweave nicely with the synthesizers. You're totally right - it has an 80s vibe to it. (Maybe late 80s / early 90s.)
The production is really solid on this. I like how you can hear all the different instruments clearly in the mix.
One can tell you were really in the moment when you did this one. It's very serene.
I like the vocals on this one -- I like the vocals transition between the louder parts and the more mellow sections.