"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Full name is "The Morphing Architecture Of The New England Vatican". This is another RPM 2010 track.
I have weird dreams where your average New England city is juxtaposed with some holy Old World locale. The music and lyrics arose from that…
Format Sea - Part Two
Based on the age-old concept that a person is born anew every seven years. It's technically meant in terms of physiology - you develop all new bones/muscle/fat in a seven year period. I kind of add a spiritual/alien abduction…
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
The last track from my RPM Challenge album, "The Loudest Silence".
The story is loosely based on something I read, but there's a lot of poetic interpretation involved. It deals with people who spend a lot of time staring at the stars - like the…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
I wrote Dancing Vampires while reading the book "The Historian", which is a story of a man and his accomplices’ quest to find Dracula in present day Europe. I love history and all of its grit. This song speaks of primal human instincts. We are…
This is interesting -- I'm hearing a mixture of influences here. A little Blue Oyster Cult mixed with some alternative rock from the 90s.
Vocals sound somewhere between Lenny Kravitz and the singer from Monster Magnet.
MMi's Voices
http://alonetone.com/mmi/tracks/voices-3
MMi wrote the song. I programmed percussion, recorded tabla and vocals.
This is really catchy - the mix may need a little fine-tuning in places, but it's pretty good. (Louder rock is admittedly a pain in the neck to master.)
You have the mix damn near perfect here. The one thing it seems to be crying out for is lyrics. I instinctively want to sing something over the beat - it lends itself to that.
Unlike a lot of instrumental music I hear, this sounds very cathartic. It sounds like it's tapping into something, and channeling it out in the form of music. It held my attention for the full seven minutes..
Sister Savage has a little star in this track!
Melody based on 'ah! vous dirai-je, Maman,' by Mozart.. the original composer. I think it's the first and second variation of 12, but that was like 15 years ago that I learned the piece so I have…
This is my cover of 'Lady Killigrew'. This song was originally done by Sister Savage, and Bethan Mathis, and can be found on either of their alonetone pages. I highly recommend their version. They sing prettier... probably look prettier too…
This is written by my friend Stuart Walker, and he gave me permission to record this for my RPM 2009 album. It reminded me of early Leonard Cohen so I took it in that direction with the finger picking and spookiness
I like the atmosphere you create here - there's something about this track that draws people to want to cover it. (I think it's the lyrics - they're really good.)
Heck, we could probably do an entire album of different people covering this one Gumbo track.
I like the textures of the guitar here - it reminds me of Criss Oliva's playing at its most mellow. (Criss had been the guitarist from Savatage, but was killed in a car accident about 15 years ago.)
This album is pure genius -- it's all over the place, but the different elements flow into each other, and form a nice tapestry.
Works for well for those of us with chronic ADD.
This was the second track for my 2009 RPM Challenge album "Relative Polyphonic Mutiny. It was written and recorded in an hour and a half in the middle of the night. Also the first time I ever played keyboards of any sort and there was no time…
*"We all live in a little Village...your Village may be different from other people's Villages, but we are all prisoners." -* **_Patrick McGoohan_**
Modern electronic guitar rock.
One day you awaken in a different place
Where the names…
Comments on AMUC's stuff
i always love your lyrics
well done...AGAIN :)
FNG!
dats neat.
I remixed this RPM track - sounds a lot better now..
you have a way of making a particularly long song with minimalist instrumentation, a lot of open spaces, yet it remains interesting and holds the attention for an unusually long span..i think you are truly an innovative composer..levels schmevels
Great music! And I love the oceanic vocals!
Intriguing sounds! Like it!
Nice one mate cool sounds.
I'm a newbie here so hello to you.
Top track mate very cool.
im luvN diz whole album brudda! vry dope
eee!<3
1:45 = <333 :D:D:DD:D:
sick! XD i wuz playn thru ur album n lieks had 2 stop at diz one and play it liek obva n obva XP its rly @_@
Great job mate well done.
Wow, interesting experiment! Your results are cool as hell! Very dark.
The synth turns really funky after 0:15 till 0:25, sounds psycho in a cool way!
so creative dude.
i connect with the music in this piece
Comments made by AMUC
Damn. You guys keep raising the bar for these 24 hour challenges. =)
This is interesting -- I'm hearing a mixture of influences here. A little Blue Oyster Cult mixed with some alternative rock from the 90s. Vocals sound somewhere between Lenny Kravitz and the singer from Monster Magnet.
This reminds me of The Gathering at their most mellow, albeit a little more electronicky.
This is haunting. I think you blend the music, voice, and percussion together perfectly.
This is really catchy - the mix may need a little fine-tuning in places, but it's pretty good. (Louder rock is admittedly a pain in the neck to master.)
You have the mix damn near perfect here. The one thing it seems to be crying out for is lyrics. I instinctively want to sing something over the beat - it lends itself to that.
Unlike a lot of instrumental music I hear, this sounds very cathartic. It sounds like it's tapping into something, and channeling it out in the form of music. It held my attention for the full seven minutes..
This one flows nicely. It reminds me of Synchestra a little bit.
(ROFL) You've improved on perfection. =)
Heh. You kind of put a sailor's spin on the original. I could picture this being played by pirates travelling the seven seas.
Submersive. The perfect headphone track. This one has earned a home on my iPod.
I like the atmosphere you create here - there's something about this track that draws people to want to cover it. (I think it's the lyrics - they're really good.) Heck, we could probably do an entire album of different people covering this one Gumbo track.
This whole album is nice. (A Sarod On The Ocean Of Raga) It's good for meditation/relaxation. I have it playing now.
I like the textures of the guitar here - it reminds me of Criss Oliva's playing at its most mellow. (Criss had been the guitarist from Savatage, but was killed in a car accident about 15 years ago.)
This album is pure genius -- it's all over the place, but the different elements flow into each other, and form a nice tapestry. Works for well for those of us with chronic ADD.
This is interesting. It's very fractal-sounding. It reminds me of an old fractal generator I used to play with called F-Prot.
I wish I could play guitar like that (or at all, for that matter.)
Mike Tyson's Punchout! Ha! It took me about a minute to catch the reference.
Heck yeah - now this is what I like. (starting moshpit)
I like all the different elements you're mixing together here. The way you incorporate the vocals into the mix is perfect.