A tale of keeping your head above the water, or not...
Recorded Jan-Feb 2011.
I wrote it many years ago, never thought I'd ever do anything with it.
I intended to record this with just an acoustic and my new EDB (electric upright bass…
This is a collaboration with a prolific chap called James Higgins (oldrottenhead on songcrafters.org), based on an instrumental of mine from a couple of years ago: http://alonetone.com/andyr/tracks/muletide
I was quietly minding my own business…
Fantastic ... just found my way here Andy ... and just realized orh is singing on this! I was looking for A Hundred And Twenty Pound on Songcrafters but couldn't find much ... I'll be back ... great stuff!!!
Kenny B.
jim was getting moping about the cellar, he was bored, i mean he must have been down here in the cellar now for nearly 40 years...him and Louis used to rip the place up every night, something terrible. But lately he had been a bit down and not…
Reg's little homage to Elizabeth Taylor who passed away today, the piano is a little dodgy and the lyrics and the singing in parts as i'm following my dodgy playing, it will have to be revisited but i thought i'd share anyway as i would forget…
I think you have aptly named this track.
Tremendous atmosphere here. Love the spell casting
in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
This song is about that moment that you, as an adult, stop trying to live up to everyone's expectations of you..whether it be a girl/boyfriend, family member, society, etc.
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots.
It is like you said
But different
Do we ever know?
If what we touch
Is always real
What do we feel?
I slide in time
And feel the gaps
Between…
Reg's little homage to Elizabeth Taylor who passed away today, the piano is a little dodgy and the lyrics and the singing in parts as i'm following my dodgy playing, it will have to be revisited but i thought i'd share anyway as i would forget…
This song came to mind upon hearing about the extremely small Christian population in Japan. In a recent poll, only 30 percent of the Japanese population claim a religious affiliation, and only one percent, Christian.
Just a simple mix, and the…
This song came to mind upon hearing about the extremely small Christian population in Japan. In a recent poll, only 30 percent of the Japanese population claim a religious affiliation, and only one percent, Christian.
Just a simple mix, and the…
I have tried to make a literal representation of this from Mat Cooper:
"I consider rhythm to be ultra-low pitch. Polyrhythms are then Just Intonation. For example if rhythm1 cycles through 4 beats in the same time as rhythm2 cycles through 3…
Well, is it microtonal? What do you make of this?
As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison.
So, I get the sense of polyrhythm, but not microtonality.
It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else.
My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.
Recent Comments
Love your vocal. Great feel, great song.
AHAAA!!! Found it! Love this tune ... reminds me of all the classic tunes and times of the 70's when I was growing up ... kb
Fantastic ... just found my way here Andy ... and just realized orh is singing on this! I was looking for A Hundred And Twenty Pound on Songcrafters but couldn't find much ... I'll be back ... great stuff!!! Kenny B.
Grrrreat track Regs!
love the feel. Crisp and relaxed.
glad to be of service mmi!
That's a really different vocal delivery for you. Nice!
Hot dog shed!!! Great!
Oh no, I didn't know! Bless her! Thanks Regs.
I think you have aptly named this track. Tremendous atmosphere here. Love the spell casting in the middle. I have to say it made me feel uncomfortable. Mission accomplished!
Nicely recorded. Well done tune! Great players, drums are tight!
Oh that's lovely!
A fan of Burning Spear! Me too. This is a beauty. Hail H.I.M.
This is a really great song.
Yet another side to your amazing voice, Reg. Impressive.
Awesome authentic reggae groove...you got it down mang!
A friend sent me your link. That's a great line... Give us Grace to see this through...
THAT is one powerful song! Thanks so much for sharing!
Funky ass!!!!
Well, is it microtonal? What do you make of this? As for me, when it is in a tempo range that I can follow (mid range) it sounds like a basic 4vs.3 polyrhythm. This makes sense to me, as all of the drum tones drop back into the their common denominator of 4 or 3 and resound in unison. So, I get the sense of polyrhythm, but not microtonality. It would be interesting to me to repeat this experiment with, for example, piano key tones to see if the results are the same, i.e. is one left with a sense of 4vs.3 polyrhythm or something else. My hypothesis is that the effect will be the same. I do not believe the pitch of the notes relate to this question. And I also think that at this point I do not agree with the premise that "polyrhythms are then Just Intonation": polyrhythms represent a relationship in time, whereas Just Intonation represents a relationship in pitch.