This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
Brando, this is my favorite. It's beautiful... that weird beat flanger is really nice. what really makes the song for me is the end: the way it dissolves into this sad chordal montage....you got me there.
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Something completely different- Uilleann pipes(Irish bagpipes) and synth. I wrote this tune over 20 years ago in the style of traditional Irish slow airs. It was recorded way back in 1991 for an album that's been out of print for over 15 years…
Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
One of four tracks I did for the August 2009 24 hour challenge. This was the last track I did, and it shows.
I was pretty tired after finishing 3am chill, and had to mess round for ages mangling loops and trying out different things before…
@small.cat drums could probably do with some tweaking and variety, my creativity was spent at this point :) Have left as is so I can compare like for like the next 24 I do. Thanks for listening!
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Here's a partially-orchestrated preview of a song we're currently writing. Another big toe-tapper, this one, a lovely 6/4 piece, an ode to half-diminished sevenths, and minor ninths, wherever they may fall.
The title comes from a quote from…
Here's a partially-orchestrated preview of a song we're currently writing. Another big toe-tapper, this one, a lovely 6/4 piece, an ode to half-diminished sevenths, and minor ninths, wherever they may fall.
The title comes from a quote from…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
Recent Comments
Very Mellow. I dig!
Haha, well you are quite welcome nonetheless.
i swear to the gawds this is my favorite song
Brando, this is my favorite. It's beautiful... that weird beat flanger is really nice. what really makes the song for me is the end: the way it dissolves into this sad chordal montage....you got me there.
Great playing Kirk, as always. Like the tone of this one. Thanks also for the kind words. Cheers!
This is great!
awesometastic! the gating really works with the inner tarncehead in me :)
@small.cat drums could probably do with some tweaking and variety, my creativity was spent at this point :) Have left as is so I can compare like for like the next 24 I do. Thanks for listening!
These are beautiful.
Nice :)
I didn't fave this?? Horribly remiss of me. Love your whole 24. Inspired.
Awesome vocals ! Great song
groovin' very organic and creative, almost tribal vibe goin on there
Love it!!! Kirk is right, you filled an awesome alonetone niche! w00t!
with you all the way thru this one lots of soul
Very cool.
can i sample this harmonica? lovin it!
brilliant!
diggin the overall sound and build up you should check out Pilotdrift, you's guy's remind me of them. that's a good thing. for serious.
diggin the vibes very chill