This song was composed just by selecting random chord names in the piano roll in Fruity Loops, and then going from there. The offset piano melody in the beginning was a happy accident (in that I painted it at the wrong offset in the step sequencer…
Mostly driven by electronics, most of the people who listened to its demo form said it was too repetitive. After I added the guitar overdubs and the break in the middle, those same people liked it much better.
Mostly driven by electronics, most of the people who listened to its demo form said it was too repetitive. After I added the guitar overdubs and the break in the middle, those same people liked it much better.
This song was originally titled "Spiky" in its demo form, because it was originally supposed to be an attempt to write a song in the style of Porcupine Tree. Still not quite there on the PT worship.
This song started off just on bass and was saved in demo form as "bass led", as in led by the bass. When I needed titles for all the album tracks, I ended up taking "led" and making it "LED"--light-emitting diode.
Mostly driven by electronics, most of the people who listened to its demo form said it was too repetitive. After I added the guitar overdubs and the break in the middle, those same people liked it much better.
This song was composed just by selecting random chord names in the piano roll in Fruity Loops, and then going from there. The offset piano melody in the beginning was a happy accident (in that I painted it at the wrong offset in the step sequencer…
By no means the first song that popped out. It's just the first one I'm calling done beyond a remix. I think this will wind up leading in to a metal tune and will likely be shorter.
I'll have to check when I get home... I think this version has both guitars running through a Gratifier for distorted tone and an Ultrasonic for clean tone (in Guitar Rig 4). I got several suggestions to try doubling with both a high-gain and clean tone to get both clarity/definition and crunch.
Well, song 10 finally. A bit on the heavy side, some odd FX, strange vox, an Ibanez, The ever present harmonica, and some help from Illegal Alien Autopsy.
This was the first song I tracked for RPM. But, since my pen has run out of ink this month…
I tried to utilize the swelling of sound that can be created with a guitar to re-create the atmosphere around me (its been rainy all day, with some thunder in the background). This piece is semi improvisational, in that none of it was planned…
Nice! These remind me some of the sort of stuff I do as Asymptotic Taste. You're missing the ridiculous rotating speaker simulator at the end of your signal chain though ;) Seriously though, nice musical use of echo textures.
Once of City Steve and the Neon Lights. this was my first cover.
This song is done in the style of "the rake Song" by the decemberist. yeah. that just happened.
This is my most angry song.
Sodom And Gamorrah
(c)2010 Terry A. Beckett
How many times have we seen it?
Headline the evening news.
How many faces have been featured
While the tabloids expose the ruse?
How many sweet young things
Have tried…
So to be honest, I'm not a huge fan of your voice itself... but I've been listening to all of your songs and you've definitely got a great way with composing and writing melodies! About 5 minutes after listening to this song I found myself humming the chorus melody while walking down the hall.
This is probably the least electronic-sounding of everything that I did from RPM 2010, although it still heavily uses samples (either self-sampled or from Freesound).
That is me playing the harmonica, though. (No, really!)
If the song makes…
Written and recorded for the "Dictionary Challenge" on the RPM Challenge forums--take a word or phrase randomly chosen from the dictionary (mine was "piece work") and write a song (arguably) inspired by said word or phrase.
This track is off the third CD. The title is related to playing style which is centered around tappping. Recorded with my Huss and Dalton MJC in open D tuning
This track is off of the third CD. I had been kicking parts of it around for quite sometime and finally put together a completed piece. Still not sure why I came with the title but I'm sticking to it. Recorded with my Vincent De Francis OM-42…
This is pretty interesting, I wish I could put together acoustic songs like this too. Also, you seem to have gotten a much better mix/EQ than I've managed on acoustic songs :)
skin is a rock track, written and recorded by ourselves. we have a self built studio! where we meet every Friday night to write and record our own slant on rock music.
I enjoyed listening to all of your tracks, thanks for the comments on mine! Some of the songs remind me of some other artists, but the names generally escape me. This one had a sort of Fictionplane sound, I thought.
Comments on Synaptic Disturbance's stuff
This is awesome through headphones - good use of space..... just enough going on to make you lose yourself in it!
Very TSO in feel to me in places.... great stuff
I can tell why this is your favorite.
I gotta get the newest version of fruity loops...pretty powerful tool. You used it well.
o man...this is crying out for some vocals. Great as it is ofcourse...I can hear the vocals. If you know what I mean?
I think i know who faraday was... :) Another one that makes me wish I could play guitar better than I can!
cooooooooooool
love the deep sounds in this, great
excellent track and well named!!!
Love the way you use light and shade here - very clever. Another awesome track.
*throws flowers on to the stage* Love your style!
Wow, love this! Great deep sounds, emotions in slow motion!
Cracking, edgy track! Instant fave!
Beautiful track!
shouldn't have given up....awesome stuff.
THIS is why I wanna get better with the guitar...brilliant.
Comments made by Synaptic Disturbance
Nice spacey ambiance... yeah, definitely the sort of thing I would try to write as a lead-in to a crunchy metal tune!
I'll have to check when I get home... I think this version has both guitars running through a Gratifier for distorted tone and an Ultrasonic for clean tone (in Guitar Rig 4). I got several suggestions to try doubling with both a high-gain and clean tone to get both clarity/definition and crunch.
Digging the groove, and the harmonic (surprisingly?) sounds right at home.
Volume pedal, volume knob, or delay pedal with a reverse? More neat textures.
Nice! These remind me some of the sort of stuff I do as Asymptotic Taste. You're missing the ridiculous rotating speaker simulator at the end of your signal chain though ;) Seriously though, nice musical use of echo textures.
Very ethereal... sounds like something that could have been on one of my Narada collections.
Love the mix and the bass tone on this one! And yes, definitely some influences from listening to The Hazards of Love ;p
Digging this one, great groove and vocals... and the production values on your tracks are top-notch!
So to be honest, I'm not a huge fan of your voice itself... but I've been listening to all of your songs and you've definitely got a great way with composing and writing melodies! About 5 minutes after listening to this song I found myself humming the chorus melody while walking down the hall.
Cool tune, stoner rock vibe
Interesting, and very very weird.
@guest (whoever you were): I'm flattered by a King Crimson comparison!
Alice in Chains comment seconded...great heavy groove and riffing here!
Great sound again, and a cool tune! Reminds me of stuff from my Narada Guitar compilations.
This is pretty interesting, I wish I could put together acoustic songs like this too. Also, you seem to have gotten a much better mix/EQ than I've managed on acoustic songs :)
Nice groove, catchy!
I really like the attitude on the main riff on this track.
I enjoyed listening to all of your tracks, thanks for the comments on mine! Some of the songs remind me of some other artists, but the names generally escape me. This one had a sort of Fictionplane sound, I thought.
Nice scifi sort of sound, could definitely see this on a soundtrack.
Really enjoy the slinky feel and the bass tone on this one.