A quite 'straight ahead' rock feel to this at the beginning. The Rickenfaker bass has a lovely fat sound to it... Then it gets anthem-like from 2:45 onwards
A quite 'straight ahead' rock feel to this at the beginning. The Rickenfaker bass has a lovely fat sound to it... Then it gets anthem-like from 2:45 onwards
Mighty fine - has a definite "conclusion"/"closure" vibe to it. I kinda like how the final one has a title of "Growing" implying the story goes on (which the music does as well)
A quite 'straight ahead' rock feel to this at the beginning. The Rickenfaker bass has a lovely fat sound to it... Then it gets anthem-like from 2:45 onwards
A quite 'straight ahead' rock feel to this at the beginning. The Rickenfaker bass has a lovely fat sound to it... Then it gets anthem-like from 2:45 onwards
This is bathed in reverb... probably too much! It's got a bit of a Southern Rock vibe at 1:00 to 1:45- then it has a big 'glow-stick Prog Rock' ending to it
This is bathed in reverb... probably too much! It's got a bit of a Southern Rock vibe at 1:00 to 1:45- then it has a big 'glow-stick Prog Rock' ending to it
This is bathed in reverb... probably too much! It's got a bit of a Southern Rock vibe at 1:00 to 1:45- then it has a big 'glow-stick Prog Rock' ending to it
I wrote this last year after an enforced absence from work. I discovered a really nice piano loop that I then chopped around by changing the key and adding some different melodies. This in turn sparked a chord sequence for the chorus and the…
(Remastered 22/10/2021)
I've been missing in action for ages - apologies to all, I'm about to start listening again too.
For ages, I'd been considering a move away from my trusty Boss BR1600 on which I've recorded and mixed nearly everything…
With lovely Keith Landry. Unfortunately, the studio I had at the time was on its last legs and the recording is a terrible quality, but I've never been able to get the vocal to sound better. Probably because I'm now over the awful thing* I did…
Written and recorded as part of our family RPM project this year. :-D
13 year old Jasmine on vocals and ukulele.
We wrote and recorded 10 songs under the name Cattica. It was just the best month of lockdown imaginable.
I've disappeared into a total rabbit hole with these 70s/80s synths. This one features the ARP2600 (in several guises), the Jupiter 8, Prophet 5 and the Fairlight (what a machine that was back in the day!)
This started in my head as another…
(Remastered 22/10/2021)
I found this one while I was digging through the shoe-box for the 1994 songs. Apparently I wrote it on 10th November 1995.
Foolishly, I thought it would only take a week or so to record... I was originally expecting…
Well... this took a left turn at Odd Street. The main melody started off as riff written and played on bass guitar and the early version had guitars, and real drums etc.... Then I got introduced to a suite of 80s synth plugins and it all went…
Music written and performed by Mike Smith, also known as Dragonsong.
When Mike first asked me to read this poem, he believed it was written around the time of the Spanish Flu...but, our sources say no. It was most likely written by Kitty O…
(Remastered 22/10/2021)
And here's another song from 1994, with a sparkling new "Andrew Russe Band" arrangement fresh from the broom-cupboard.
Like most of my songs, it was written with an acoustic guitar, a pen, and an A4 pad. The ones…
Another tune exhumed from the past... 1984 to be precise. A 15 year-old angst-ridden vocalist wrote some words that went something like "Late at night... the shadows... creep across my wall". Happily, the song is musically much stronger than the…
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
I LOVE this!! It's got everything - super-catchy, some lovely chord changes, great middle eight and a key change at the end. This would have been a huge hit in the 60s!
(Remastered 22/10/2021)
And here is the first reply to In Your Hands.
I say "first" because I've found another one, When I Try To Be Me, that Mrs R says I have to do too... but that's unlikely to be the next one I post because I'm working…
This didn't go as planned... I wrote this song for my wife Nicola while I was away in the UK working in March 2020... I excitedly played it to her from 3,500 miles away over the ether and.... I think she was expecting a ballad rather than a rather…
@andrew - this is pretty much the original but with some radical mixing. The drums sounded like Spector's Wall of Sound' on the original and the balance was all wrong - The piano on the middle 8 now has the dreamy, ethereal feel I wanted too. I would need to write an entirely new song to give her what she expected!!
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
My latest composition - It was the first song I worked on in Dubai after curfew was imposed in April but it started life in January in the UK and was called 'Abundance Of Time' and has taken me until now to finish. It's a bit unusual as it has…
And now for something completely different... Right now it's hot.. and I mean 50 degree hot. So I had in my mind's eye a summery, trippy 'under a palm tree' kind of vibe. And I got that... but I got more... much more...
Millions of years ago... Before the dawn of history... I was a in a school band. I couldn't play an instrument then so I was the vocalist. This tune was one of the band's originals.
Now, bear in mind this was the 'Ay-deees' so it was mullets…
Comments on Shed Sounds's stuff
I am. And I'm enjoying too! An absolute beauty - especially love the chill intro!
Thanks @Andrew - That was exactly the creative process!
Mighty fine - has a definite "conclusion"/"closure" vibe to it. I kinda like how the final one has a title of "Growing" implying the story goes on (which the music does as well)
Thanks @Sister - can't wait to put some vocals on the end section of this!
Awesome full sound! (Looking forward to some of these with your fab vox!)
Thanks @Andrew!
Cool! I'm intrigued to know what else you're going to do on these tracks once the world has returned to normal and you've got access to more kit.
Thank you @sister savage!
Love that bass riff! It deserved a track around it like a cloak.
Another beaut! This album is one of the best things to come out of Isolation 2020.
Thanks for your feedback @Andrew!
Another goodie. Digging the bass sound on this one.
Thank you @Andrew and @Sister! 🤗
Yep. Mighty cool stuff. Welcome to Alonetone :)
Here we go! Welcome to Alonetone, Matt! Love this track - breezy, open air feel - just what I need during this lockdown.
Comments made by Shed Sounds
Thank you for you kind comment @tonycee
You've been gone too long! This sounds rich - love the stereo duelling guitars. Great tune and lyrics too
I think the recording has a haunting authenticity to it - it wouldn't sound the same with crispy production. Gorgeous song 🤗
Great job Jasmine! 👏
Absolutely gorgeous!
Thanks @Andrew - Flatwound strings and very meaty Precision pickups of unknown origin!
Oh yes! from the composition, sonic quality, standard of playing and lyrics to the overall positive and catchy tune this one kicks arse!
Thanks @Anton!
This is lovely - echoes of 'Perfect Life' by Steven Wilson 😃
Absolutely top-drawer in terms of composition, performance and sonically 👏
Thanks @Andrew... To be fair, they're probably the highlight of it, lyrically speaking!
Love that unexpected chord change in the middle eight - Great work!
I LOVE this!! It's got everything - super-catchy, some lovely chord changes, great middle eight and a key change at the end. This would have been a huge hit in the 60s!
Great work! I can hear the Tull influence but also reminiscent of Gordon Lightfoot... If you remember him?!
@andrew - this is pretty much the original but with some radical mixing. The drums sounded like Spector's Wall of Sound' on the original and the balance was all wrong - The piano on the middle 8 now has the dreamy, ethereal feel I wanted too. I would need to write an entirely new song to give her what she expected!!
It was definitely worth perservering with - love the melancholic vibe
Wow! Fantastic work - Loving the bass work 👏
Thanks @andrew! The first sign of it is at 21 seconds... and again at 1.45
@andrew - Can I raise a practical question? Are we playing Stonehenge tomorrow?
Thanks @AMUC 🤗