I came up with the initial rhythmic riff on my bass, then looped it to create the basis for this track. Then, I layered another "lead" bass track on top of that, added some percussion, and finally topped it off with an electric piano-ish sound…

I came up with the main bass riff on my electric bass, but after recording it I was unhappy with the tone, so I used a sampled upright bass. On top of that is a layer of doodling "lead guitar" (played on my bass), a dreamy semi-harsh organ sound…

I mostly wanted to make music with a funky clav line I'd come up with, so this is it. For the voiceover, I unabashedly used an awesome monologue by Ken Nordine.

Just a basic dance track because its just fun to bounce around sometimes. Also another excuse to use a growly bass sound... a "60 Hz Hum Bass" soundfont I had clearly neglected for too long.

I imagine this music playing in a bar sometime in the future, probably in the background while cybernetic bar patrons interface with one another in full view of the world's sensor network.

New version of my cover of A Beautiful Scene's You're So Comfortable and I'm Not. Now with lots more instruments. Some parts are still kinda rough but I think I'm done with it.

This one is about how falling in love kind of involves giving up any say in whether or not your heart gets trampled. It's about that fear. Gary doing a sterling job as usual on lead guitar.. She's amazing Beauty holds no bounds and her voice…

This is a collaboration between Endicott Road and Sister Savage. Hope you enjoy it. ER

A typical folk song. Written and recorded in about an hour for the 24 hour album (attempted on March 13th). Excuse roughness and vocal glitches, it was 2am and this was my first full take. Thanks to montgomeru for his chord suggestions…