Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
Well, after my conversation (if you could call it that) with my Seagull Mini-Jumbo, I started playing THIS song...
So now my guitar has filed for legal separation. I guess it never realized what true musicianship was all this time. It actually had the nerve to ask for Gary's email to see if he'd be at the Listening Party in Portsmouth (as if it thinks I'll still bring it along to meet Gary face-to-fretboard).
A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Just by to listen to the awesomeness again... I actually had the crazy idea of trying to cover this song with just a stripped down arrangement on the acoustic, but when I mentioned it to my guitar it angrily asked if I was "friggin' nuts" and went off to gripe in the corner of the room, mumbling something about my inadequacies as a musician and foolishness to try to mess with perfection.
We aren't speaking now. I'll try to re-establish contact with the six-string's representation by offering to play some James Taylor on it later, but after hearing this track I don't think it'll be interested in my version of "mediocre guitar playing" (I quoted the guitar on that one) any time soon.
This one started as a the title line while driving in my car. All I had was the line and it's melody. I built the song around that about 6 months later. The lyrics are self explanatory.
It's about a few folks, some known, some known to me. I liked the chunkiness of the chord that starts it, but wanted to do something a little more 'spacey' than a pure rock number. It's all true too.
This one started as a the title line while driving in my car. All I had was the line and it's melody. I built the song around that about 6 months later. The lyrics are self explanatory.
This one had better not be cr@p now lol...
And it's not... it's tingle-down-the-spine music.
A perfect finish to an utterly stunning album. Well done, very well done indeed.
This song started as the riff on my Strat while fooling around with some FX. I knew it needed to be a big dance number, and then realized there is a great story about the power of music and dance, which I hid in the lyrics. See if you can figure…
It's about a few folks, some known, some known to me. I liked the chunkiness of the chord that starts it, but wanted to do something a little more 'spacey' than a pure rock number. It's all true too.
A little fun riff that came from noodling on my Epi whilst watching the idiot box one night. It's kind of written for a friend who is a little lost in a self-imposed exile from life.
A little fun riff that came from noodling on my Epi whilst watching the idiot box one night. It's kind of written for a friend who is a little lost in a self-imposed exile from life.
This went by while I was musing on the earlier tracks...
Now I'm listening to it again. Another goodie. Stunning vox, and I'm liking the slide. The middle section is genius.
A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
I've run out of words... I've broken me "Favourite" button...
And your rhythm guitar playing... wow... you've got the same thing going that Malcolm Young has.
Good grief... I'm only three songs into this album... this is just... just... fabulous.
Yep, that reverb is the one it needed.
Like DB sez, yes, ELO. But there's Mott The Hoople, etc, as well... much else... all that 70s goodness... and an excellent song as well.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
We decided to give the kids an outlet that wasn’t pandemic or lockdown based this February, and made an album as a family for the RPM Challenge 2021. It was just the most precious, funny, brilliant month.
This song was written for Tony Sly of No Use For A Name - He passed away July of 2013.
His music helped me through quite a bit as a kid and influenced me as a musician. I never thought I would miss a person I had never met but here I am.
Written and recorded as part of our family RPM project this year. :-D
13 year old Jasmine on vocals and ukulele.
We wrote and recorded 10 songs under the name Cattica. It was just the best month of lockdown imaginable.
(Remastered 22/10/2021)
Here's the very latest from the broom-cupboard.
I wrote it one dark night over 23 years ago.
****
**All I Have To Do - A A J Russe**
There isn’t much time to get this out
You won’t hear me if I have to…
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.
Comments on Gary Fox's stuff
Cool KEYS!!
Well, after my conversation (if you could call it that) with my Seagull Mini-Jumbo, I started playing THIS song... So now my guitar has filed for legal separation. I guess it never realized what true musicianship was all this time. It actually had the nerve to ask for Gary's email to see if he'd be at the Listening Party in Portsmouth (as if it thinks I'll still bring it along to meet Gary face-to-fretboard).
SO TRUE!!! Another great song!! Man you just spit great songs out!!
ROCK AND ROLL!!
Just by to listen to the awesomeness again... I actually had the crazy idea of trying to cover this song with just a stripped down arrangement on the acoustic, but when I mentioned it to my guitar it angrily asked if I was "friggin' nuts" and went off to gripe in the corner of the room, mumbling something about my inadequacies as a musician and foolishness to try to mess with perfection. We aren't speaking now. I'll try to re-establish contact with the six-string's representation by offering to play some James Taylor on it later, but after hearing this track I don't think it'll be interested in my version of "mediocre guitar playing" (I quoted the guitar on that one) any time soon.
Just Great! So dig the horns and strings at the end!!
Caught myself humming the chorus again and again, this has hit quality
Great song!!!!!
I second what Andy says. :) Regards, Steffen
This one had better not be cr@p now lol... And it's not... it's tingle-down-the-spine music. A perfect finish to an utterly stunning album. Well done, very well done indeed.
I ain't got nuthin sensible left to say Faved
Sigh... :-)
And that guitar break!!
This went by while I was musing on the earlier tracks... Now I'm listening to it again. Another goodie. Stunning vox, and I'm liking the slide. The middle section is genius.
This is a stunner. Had to come back and listen twice. So well put together... unbelievably good listening.
Brilliant.
Yep, always listen to what the song says :-) Another superb one. On certain days, this would be my favourite of the album so far.
I've run out of words... I've broken me "Favourite" button... And your rhythm guitar playing... wow... you've got the same thing going that Malcolm Young has.
Good grief... I'm only three songs into this album... this is just... just... fabulous. Yep, that reverb is the one it needed. Like DB sez, yes, ELO. But there's Mott The Hoople, etc, as well... much else... all that 70s goodness... and an excellent song as well.
Digging them geetars :-)
Comments made by Gary Fox
Wait, wah-wah bass?!? Awesome. This tune just keeps getting better with each passing sound, twist, and part.
So beautiful...
I think I have my new most favorite song ever. This is genius. The delivery is perfect.
I love the feel, the movement, the spice. Bloody great!
Magical. Purely magical.
That riff is tasty; very, very tasty! And I love the vox delivery...great song!
I love every aspect of this song; the mix, the performance, the writing, all of it.
Wow, great song. Great song!
Out of the gate...this one grabs you instantly. It's a great counterpoint to Part 1.
This is an anthem! Great song!
I love how this song almost pulses out of the speakers at me. Great cut!
This whole album is phenomenal. You're the Monet of auditory soundscapes! I loved every track.
Love the guitars!
Nice! This rocks!
This is such a great song, Tim.
I love this.
Such a great number, wilsun!
I really like the melancholy feel of the beginning. The space is nice, and the synth at 2:30 is perfect.
This song and performance are 2 minutes and 28 seconds of perfection.
Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.