Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
Well, after my conversation (if you could call it that) with my Seagull Mini-Jumbo, I started playing THIS song...
So now my guitar has filed for legal separation. I guess it never realized what true musicianship was all this time. It actually had the nerve to ask for Gary's email to see if he'd be at the Listening Party in Portsmouth (as if it thinks I'll still bring it along to meet Gary face-to-fretboard).
A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Just by to listen to the awesomeness again... I actually had the crazy idea of trying to cover this song with just a stripped down arrangement on the acoustic, but when I mentioned it to my guitar it angrily asked if I was "friggin' nuts" and went off to gripe in the corner of the room, mumbling something about my inadequacies as a musician and foolishness to try to mess with perfection.
We aren't speaking now. I'll try to re-establish contact with the six-string's representation by offering to play some James Taylor on it later, but after hearing this track I don't think it'll be interested in my version of "mediocre guitar playing" (I quoted the guitar on that one) any time soon.
This one started as a the title line while driving in my car. All I had was the line and it's melody. I built the song around that about 6 months later. The lyrics are self explanatory.
It's about a few folks, some known, some known to me. I liked the chunkiness of the chord that starts it, but wanted to do something a little more 'spacey' than a pure rock number. It's all true too.
This one started as a the title line while driving in my car. All I had was the line and it's melody. I built the song around that about 6 months later. The lyrics are self explanatory.
This one had better not be cr@p now lol...
And it's not... it's tingle-down-the-spine music.
A perfect finish to an utterly stunning album. Well done, very well done indeed.
This song started as the riff on my Strat while fooling around with some FX. I knew it needed to be a big dance number, and then realized there is a great story about the power of music and dance, which I hid in the lyrics. See if you can figure…
It's about a few folks, some known, some known to me. I liked the chunkiness of the chord that starts it, but wanted to do something a little more 'spacey' than a pure rock number. It's all true too.
A little fun riff that came from noodling on my Epi whilst watching the idiot box one night. It's kind of written for a friend who is a little lost in a self-imposed exile from life.
A little fun riff that came from noodling on my Epi whilst watching the idiot box one night. It's kind of written for a friend who is a little lost in a self-imposed exile from life.
This went by while I was musing on the earlier tracks...
Now I'm listening to it again. Another goodie. Stunning vox, and I'm liking the slide. The middle section is genius.
A brief glimpse, but that's all. Inspired by last April. It's for everyone, but no one in particular. Yes, this one gives more than a passing nod to Ham and Evans. Thanks gents!
Top Of The Pops circa 1972! Remember when all those bands in the early 70's where adding synth to every song but the lyrics meant something (sometimes)? Pure excitement, pure bubblegum, pure fun. Well, this is my offering and thanks to all of…
I've run out of words... I've broken me "Favourite" button...
And your rhythm guitar playing... wow... you've got the same thing going that Malcolm Young has.
Good grief... I'm only three songs into this album... this is just... just... fabulous.
Yep, that reverb is the one it needed.
Like DB sez, yes, ELO. But there's Mott The Hoople, etc, as well... much else... all that 70s goodness... and an excellent song as well.
(Remastered 22/10/2021)
I was asked (told?) to upload something happy. Hmmm, I thought. This will end well...
So, a few days later, I was rehearsing a pleasant little thing I wrote several years ago that has a working title of "She Was…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
(Remastered 22/10/2021)
OK, let's delve once more into the magical shoebox of unused songs...
I've already recorded several that were written in 1994 (Sleeping with the Ghost, Elizabeth's Room, With Mum Again, If You Knew, A Hundred and…
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
(Remastered 22/10/2021)
And this is the last of the little threesome of In Your Hands, Little Thing, and this one, When I Try To Be Me.
It's in the key of 4th fret and was written just over a month later than the other two, on 19th March…
(Remastered 22/10/2021)
I wrote this one last September.
Allison Jane Sixsmith 1965-2016.
****
**Forever - A A J Russe**
I can see you on your rocking horse now
The one that turned around and kicked you in the teeth
He thought…
Well it's been a long while (as seems to be the pattern lately) and I was inspired by Greg and Ron's new songs.... Then I saw a lovely note from the Proods saying "I must have been writing during this crazy time" - so I had to respond with something…
Two weeks since we went into lock down
We can't play together now so we all played at home and sent the files to eachother.
Hans Nooitgedagt Jr - drums
Bingsolex - lead guitar
Erwin B - bass
KC - guitar, vocals, keys and mix
Times like…
KC - keys, guitar, bass, vocals & mix
It's 5 AM in the morning
I'm burning the midnight oil
There's coffee to stop the yawning
Just don't care about a recoil
I decide to take a walk
A starlit night in the park
I'm in the mood for…
(Remastered 22/10/2021)
I wasn't even sure the recording machine was still going to work after nearly five years... Certainly, bits of me don't work anymore... But, surprisingly, I got this done in 24 hours, start to finish... Strange old world…
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Here's a song that battled me for quite awhile... so I am glad to say I've gotten it recorded. Still rough from my home studio, but trying out a few additional things on my keyboard to round out the sound around the ukulele. Thanks for listening…
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
This song was inspired for all of us who've cycled through a relationship or two.... My dear friends Greg Connor and Mark Lofgren of the infamous MN Coffee Table helped bring it to life with Greg on Banjo and Mark on Lead Guitar. Both of them…
MN Homebrew Radio show has a monthly writing contest. This month it was to use the word "wait" or "waiting" in your song. So the hook line of the chorus popped into my head at 5:30 in the morning and the rest of the song came pretty quickly…
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
Comments on Gary Fox's stuff
Cool KEYS!!
Well, after my conversation (if you could call it that) with my Seagull Mini-Jumbo, I started playing THIS song... So now my guitar has filed for legal separation. I guess it never realized what true musicianship was all this time. It actually had the nerve to ask for Gary's email to see if he'd be at the Listening Party in Portsmouth (as if it thinks I'll still bring it along to meet Gary face-to-fretboard).
SO TRUE!!! Another great song!! Man you just spit great songs out!!
ROCK AND ROLL!!
Just by to listen to the awesomeness again... I actually had the crazy idea of trying to cover this song with just a stripped down arrangement on the acoustic, but when I mentioned it to my guitar it angrily asked if I was "friggin' nuts" and went off to gripe in the corner of the room, mumbling something about my inadequacies as a musician and foolishness to try to mess with perfection. We aren't speaking now. I'll try to re-establish contact with the six-string's representation by offering to play some James Taylor on it later, but after hearing this track I don't think it'll be interested in my version of "mediocre guitar playing" (I quoted the guitar on that one) any time soon.
Just Great! So dig the horns and strings at the end!!
Caught myself humming the chorus again and again, this has hit quality
Great song!!!!!
I second what Andy says. :) Regards, Steffen
This one had better not be cr@p now lol... And it's not... it's tingle-down-the-spine music. A perfect finish to an utterly stunning album. Well done, very well done indeed.
I ain't got nuthin sensible left to say Faved
Sigh... :-)
And that guitar break!!
This went by while I was musing on the earlier tracks... Now I'm listening to it again. Another goodie. Stunning vox, and I'm liking the slide. The middle section is genius.
This is a stunner. Had to come back and listen twice. So well put together... unbelievably good listening.
Brilliant.
Yep, always listen to what the song says :-) Another superb one. On certain days, this would be my favourite of the album so far.
I've run out of words... I've broken me "Favourite" button... And your rhythm guitar playing... wow... you've got the same thing going that Malcolm Young has.
Good grief... I'm only three songs into this album... this is just... just... fabulous. Yep, that reverb is the one it needed. Like DB sez, yes, ELO. But there's Mott The Hoople, etc, as well... much else... all that 70s goodness... and an excellent song as well.
Digging them geetars :-)
Comments made by Gary Fox
This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.
Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.
Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.
Oh, and the ending...love the fade out flourish.
Oh! The backing vox! I can hear the 1978 in it, and I like it, a lot. I love the "I didn't think..." sections leading into the chorus. Whatever you're doing for chords and build...perfect. The chord changes in general, the twists, shifts...You need to write more in this vein...
A few measures in and I am already smiling. I can feel the warmth of this song coming through, and I love how your acoustic sounds. Great cut!
Wow...just wow. Andrew, this sounds great, and I love the song. Beautifully done!
So beautiful in its simplicity, the best songs often need nothing more than a voice and accompaniment. Great song, Colleen!
It sounds like you're all in the same room. Very smooth, great number! Take heart, we'll pull through.
Dude...this is really cool. Love the groove!
Gritty, tight, driving...yeah, in a messed up world, hearing a new Andrew Russe song stands out as a beam of light in an otherwise dark time. This sounds great...
Oh, man...so this is absolutely beautiful, Jarrett. Thank you for taking it to a whole new and amazing place. This song is now as much yours as mine, and I am honored to share it. Also, I loved that little chord you hit coming out of the bridge. Perfect! Much love to you, my RPM brother.
Cool track, Colleen. I like the space you left in it, and I really like the way you recorded this so that I could really just soak in the lyrics and melody.
Great number, there is nothing like a live recording of people who can play and sing well together.
Great tune, Colleen! I really like the earthy feel. Real blues tones here, and I love it.
Attention all Alonetoners: Give this entire record a spin, many spins actually. I have had the pleasure of hearing Peter's work through the RPM Challenge for well over a decade now. Join me and indulge. It's so worth it.
So rich and creamy; that's the best way to describe these fantastic songs...
Beautiful arrangements and scoring. I love the mood of this...
Peter, it's so good to have new music from you again.
Wow, worth the listen all the way through. Killer production.