Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Naively conceived, written and published in February 2012 for "Contemporary Chamber Music" (vol.1), an RPM12 album.
The titles of the pieces in album are follow each other in a certain order - see album description.
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
~Through the night, and darkness, we rush forward to the tops of the universe. What for we're?~
The original version of this song was composed, written and mixed on board of the night train to Berlin, in 2004. Here is an updated version number…
Interpretation of that we see comes from us, so, therefore, is not objective. Seems, there is no objectivity here, none at all. But then why do we try again and again to learn, to understand, to feel?
The question is still the same: who are…
Indecision is not always bad, sometimes it even leads to the determination. Or leads to the solution. Or does not lead anywhere (also a kind of solution).
~For Tessa~
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them).
~and just letting it flow~
~Essence of a musical box with the ballerina spinning around and around~ /as Bethan said/
~
Calm the night, unstirring,
And the air so clear
Pearls of dew uncurling,
Moonlight rays unfurling
’Cross the glassy mere.
Dulcet waves appeasing…
After the late naps
I can't get up, as should I?
Where I... Who am I?
Sounds comes, closer,
Ah! - here it is, my world,
Lovely, clear and simple
~
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about…
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Cowardly Lion: Courage! What makes a king out of a slave? Courage! What makes the flag on the mast to wave? Courage! What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage…
It's not unusual to chase your girl around with a dull axe, is it? Just kidding - This was 60 tracks and almost a year to finish. I had some help:
Guitars: Tony W
Fadeout Solo: Gnasty
Acoustic/Rhythm Guitars: Me
Phone Message: Tony W &…
~He turned pale... and threw himself at her feet~
~And the veil of Russian snow slowly began to cover them both...~
~~~
~Snow blizzard pounced in a rush, and as quickly disappears~
~As your sound thru the night~
Had these backing tracks laying around on my drive for a while and didn't know what to do with them, so grabbed my Ebow and a fretless electric that I built for myself a couple years ago and had a go. My fretless playing is really in its infancy…
I swore that I would NEVER upload this. Was having a bad day trying to loop "nice" acoustic guitar sounds and got frustrated so grabbed my Taylor and plugged it into a cheesy Effects box and straight into the looper. Started twiddling knobs and…
Zona (Russian word for 'zone') was inspired by Andrei Tarkovsky's movie Stalker where the protagonist takes his guests to a 'forbidden zone' to experience glimpses of an alternative reality.
You know, I always thought that he leads them into experience the true reality - the one that actually is. If it is ...
Hmm... My impression from that "zone" lighter than yours. Well, I will answer thee, with my play.
This song was inspired by Mikhail Lermontov's 1840 poem 'From Goethe':
The mountain heights
Sleep in the darkness of night
The quiet valleys
Are filled with a dewy haze.
The road has no dust,
The leaves do not shake…
Wait awhile
And you will…
~~~
Ueber allen Gipfeln
Ist Ruh’,
In allen Wipfeln
Spürest du
Kaum einen Hauch;
Die Vögelein schweigen im Walde.
Warte nur, balde
Ruhest du auch.
~~~
Dear society,
Here, in my seclusion - my isolation - I've come upon a pattern in time and history that we had not previously seen. You need not be concerned about whether or not I've gone crazy, it won't matter soon because you'll understand…
~
Hello, muchacha
No, no, me muchacho you muchacha
You know like me Tarzan, you Jane
Me muchacho, you muchacha
Oh, you muchacho, me muchaca
Wow, too much of a woman
Mucha, muchacha
~
~Long-forgotten voices, tears and laughter ... an empty stage as a metaphor for what was~
P.S. Ah, it would be necessary then re-master: add echo and "otherworldly" reverb, a bit.
This is an experimental track based on a binaural field recording from Schiphol airport. The noisy, effective and informative soundworld of a modern airport reveals here its dreamlike harmonies and hidden heartbeats.
Comments on igor's stuff
Like how some the songs have a much springer/bright sound than the others
great composition
Wonderful album of sweet tones - I'll return to this exceptional playlist again and again.
very nice
Good one, wild turnarounds.
Wonderful album Igor. I love nylon string classical guitar ;)
Very lovely.
Hi Richard, thank you for listening. The instruments I've used here are: Roland V-Synth GT (general orchestration if I can say so :-) and, for the flute and trumpet, Roland Jupiter 80.
really very nice,, what synth did you use for the horn,, i liked it's tembre very much
I remember watching doves flying around Checkpoint Charlie back in the 70's.
What a gorgeous composition with many faces.
Missed this one. Gorgeous!
Very nice
evocative soundscape and quite beautiful playing
And a lovely moment it is!
...the state after summer sleep before I (you) have any thoughts, or, more precisely, about the state of occurrence of these thoughts (or whatever you call them). ~and just letting it flow~
So nice, quiet and innocent sounds... super nice.
Enchanting... mesmerizing. So, this music, that fills my heart, makes me wonder, once again... what am I doing among all these really great musicians??? Wow...
Lovely piece!
So beautiful, Igor...
Comments made by igor
~Are You Sequenced? - Yes, I'm~
~rock steady~
~I remember then being different, when I could fly, when I could dream~
~Gandalf appears on highlands~
Elegiac emotion - outward!
~He turned pale... and threw himself at her feet~ ~And the veil of Russian snow slowly began to cover them both...~ ~~~ ~Snow blizzard pounced in a rush, and as quickly disappears~ ~As your sound thru the night~
I think you need to continue such soul searches - you're successful, Master Kirk. Longer was even better ...
~wave of mess into something like music~you're succeded~
You know, I always thought that he leads them into experience the true reality - the one that actually is. If it is ... Hmm... My impression from that "zone" lighter than yours. Well, I will answer thee, with my play.
~~~ Ueber allen Gipfeln Ist Ruh’, In allen Wipfeln Spürest du Kaum einen Hauch; Die Vögelein schweigen im Walde. Warte nur, balde Ruhest du auch. ~~~
~We may never know exactly how they played music~ Now, through the veil of romantic, I hear~ Is it? ...
Sie war es, Deutschland. Hallo liebe Freunde! Hey, machen laut!
Pattern in time and history that I had previously seen - the fight with itself in isolation. Oh ..! I'm gonna crazy down...
~ Hello, muchacha No, no, me muchacho you muchacha You know like me Tarzan, you Jane Me muchacho, you muchacha Oh, you muchacho, me muchaca Wow, too much of a woman Mucha, muchacha ~
Then it was the orchestra of 200 musicians. Now it is a pairs bubbling up in the phase. Noise, ordered..?
The joy and the freedom of playing piano - that's it! Waves.
~Long-forgotten voices, tears and laughter ... an empty stage as a metaphor for what was~ P.S. Ah, it would be necessary then re-master: add echo and "otherworldly" reverb, a bit.
Found no Eno here- good sign :-) Ja! - found your/Lena Sleepless in Dresden, good.
~Post-classical pastoral as impressionism in painting, but on a matte paper~What I forgot?~I can't remember that...~
Piano Poetry - it's what I do, too, in private or in public with a grand piano. Thank you for sharing it here, Elena.