yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
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This is a live mix of 6 oscillations created in Pure Data. CDBAF#E according to my notes. Discovered this patch from making it about a year ago on a Linux machine. I opened up and created this live interaction.
This started as a test for a removable piezo pickup I got for my baritone ukulele. I was using my current Pure Data looping and oscillator patch and continued layering 6 loops off my first test and got into the groove. I added in two oscillators…
Created from ongoing trying to improve a Pure Data performance patch for live. This was 5 test voice samples pitched up slightly and mixed live with 2 oscillators pitched at 222 and 242 and 2 noise generators.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
I've been inspired all week by Steve Reich's Electric Counterpoint. This piece of 6 parts done by me on baritone ukulele is my response to it, very loosely based and the core repetitive rhythmic part based on the 3rd movement, Fast. Additional…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
I haven't done anything in Pure Data in several weeks and today amidst the Thanksgiving festivities, started playing with a foundation for a piece. I resurrected an acoustic guitar sample I had recorded in a reworking several months ago for a…
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS
I believe you willhave to join, we will get an approve req and follow through.
using this https://fb.me/e/2ohIt8Mzp event = Sound-In Event “Time Machine” - with this track first forward then backward -- https://alonetone.com/erocnet/tracks/timeframe by Roger Sundström
using this event https://fb.me/e/NaznnV5Z called…
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
First completed solo project after a years-long home recording hiatus. Recorded into BandLab running on an old iPhone, which is a surprisingly fun way to work.
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Digital Sea is an ambient generative music piece written in the Pure Data programming language. It is constantly changing, circulating, and flowing.
The program written to record this piece is capable of generating a unique, endless performance…
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Test recording of voice modified by a EHX Voice Box on vocoder setting; the modulating signal is the sound from a one-string instrument made from an old crutch. Post production involved adding two copies of the original mono track, panned slightly…
Comments on jimgoodinmusic's stuff
Eeriest of eeriest!
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Very interesting... just searched Sonic Pi... VERY interesting.
Always pleasantly surprised by the imagery your music creates for me. love this.
It certainly is an interesting experience in the head phones!
Excellent! This track is screaming for visualization.
Excellent work
Yeah...still a fan! This is very interesting.
I am here.. and there.. and everywhere --- we all are. :) great experiments, I think the sounds are true--
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definite workings in sound.. it is.. consistent and well played. here-
so experimental there is a way about this that has,,.. mmm a way about it.
I, have to say it. Since you’re in the groove, it’s happening really groovy.. keep doing these Jim! With a groove like that don’t stop..
I seriously like the progress in these constructions..it’s really developing into new music.
the controls to the acapella voices is a really interesting concept ,,, I will have to wait for this PD performance.. algorithm ,, to grow ,,, I am looking forward to these new experiments and enjoying where the process is now.
<3 me Reich-ish things on stringed instruments. Nice one!
A cool microtonal experimental piece!
Linda: “what is your phone doing?” :D
the saturated sound creation seems to overload the --- audio recording of it.. :( it is good I try to eliminate the crackle going on from that in my music as I too do that supersaturated sounds and effect...
wow Love this.. --- I don't even hear the cover Tomorrow Never Knows in there so that makes it even better.. --
Comments made by jimgoodinmusic
Marley your kind comment to my recent piece reminded me you are working in Pure Data as well which is wonderful! This piece no less, like the rising bubble like envelopes on the oscillators. It's just like from below the sea level and coming to surface. Bit Sponge Bob bit the Nautiless. Well done! Re Sound-In we'd be pleased to have you checkout and participate. Unfortunately we do get lost in FB and there are some similar ones but we are with the "-". That said here is a link to the latest event. Check out at https://fb.me/e/24bPmelwS I believe you willhave to join, we will get an approve req and follow through.
Ghostly - brilliant Kavin!
nice how the piano voice fades out on this one.
particularly like your 'played' or sequenced keyboard part in this, the notes the color Bill
Rich and speaks well!
lyrically shades of electronic counterpoint!
Absolutely lovely!
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
like the pippa or koto in this or some similar
so lyrical and like Kavin said, 'harmonics for days...' or to me rings forever! lovely Roger!
beautiful and full of haunt!
like the beat, like the Wes Montgomery lines in the latter.
wow Ben in the sound of the piano and the space it feels like Debussy!
growing intensity! Good to hear from you again Ben (at Sound-In)!
Hypnotic and casting spells. Thanks too for your recent words re my ukulele piece Jim.
This is cool with an occasional nod to a reggae beat. Your bass parts are very pronounced and on the spot and the reggae beat has returned.... Police!
A sense of Roxy Music in this and for a home recording has a very nice present feel Ben. Congratulations on new work after a year long, it happens, sometimes as in my case with another muse coming to surface. I'm glad you returned! Thanks too for your recent listen to my ukulele piece and the kind words.
Lovely melancholy and lyricism btwn recover and take ii with tongue and cheek intensity in Prayer, all interesting and my first hearings of your music in all this time on Alonetone Sudara. Thanks for this and for what you do in providing Alonetone for all of us with no expectations. Thanks too for listening to my track from Good Friday recently and the kind words. I am in turn and nice to hear what you do as well.
Marley thanks for the kind words re my Gentle Dark. Excellent that you too are working with Pure Data. Your evolving bubble like raising tonal glissandos are like bubbles from the ocean floor and the occasional 'noise' element winds, waves are cool. The continual weaving voice in this is very inventive - check out the Sound-In community on Facebook - we are small but long running group of creative composers working in a supportive atmosphere. I'm not as active right now as I'm working with another muse but will return.
Jim it's great where things that you will utilize become such potential instruments. The higher linear voice is cool and exotic here. Good piece!