Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off!
It's the slide mandolin that is so fascinating.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
shard hopping...or hard shopping? either way, this little remix-expansion of Kavin's "shards" is one of 21 "duos" on an album I'm releasing next week @ bandcamp.
made this for the recent indaba contest; kept mine true to Reich in some ways but put some new spins on it. my main rule was to use only the orig for sound sources.
This track was my attempted submission for Ramen Music #001. I finally got around to uploading it here.
It was made using several instances of the Max for Live instrument "Loop Shifter" that I played in real-time using my Novation Launchpad…
from the album "the Hardest Blow" featuring vocals from Jana Persson (strumming dude) and lead guitars from Paul Lennon (Wildgeas)
Red and white, black and blue
Close me off, soak me through
Trade it all, fall down low
Sooth my wound, never…
from "the Hardest Blow" featuring vocals from Tess Savigear and solo guitar from Kavin Allenson
It’s name is sadly the same as me, without me
It cannot follow through doorways, the same way
Just saw the rainbow fall over
It’s game remembers…
from "the Hardest Blow" featuring vocals from Tess Savigear and solo guitar from Kavin Allenson
It’s name is sadly the same as me, without me
It cannot follow through doorways, the same way
Just saw the rainbow fall over
It’s game remembers…
Long drum solos aren't for everyone - I get it. Just do what many at Grateful Dead concerts did and look at it as an opportunity to go get another beer. On the other hand, if you are the sort of person who cheers at the fireworks show, I hope…
My girlfriend was born in the Middle East, that's why I've come to listen a lot to Arab, Persian, Turkish, and Tuareg music. I improvised this song within a few early morning hours after coming home from a concert by the incredible Tuareg rock…
I was reading this profile on MySpace and was impressed with this girl...really impressed. It's all there in her BIO. Masters degree and five languages. The part about using gender "stereotypes ironically" etc is an exact quote.
SKIN TONE…
Comments on kavin.'s stuff
Oh, that's "noodling" is it? Ha, I wish!!! Great stuff!
lovely touch, the recording makes me feel like im right there, feeling the strings vibrating
nice guitar work
Great from van leaf
Interesting music. You have some facinating sounds and textures going on here.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
An interesting combination of raga type music combined with classical spanish guitar. Quite compelling.
Nice one mate.
gotta love the impov first time feel.
Tingely
love the tension on this one, good stuff
Very nice old school sound
Excellewnt, strong vocal dilivery with some inventive support
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off! It's the slide mandolin that is so fascinating.
Wonderful :-)
good campfire song! reminds me of the cowboy days strumming some great blues jams
Great sound mate very cool eastern flavor.
Very interesting stuff there!
Slide on mandolin? Marvellous, sounds great!
Sounds kind of lonely. Nicely done though!
Comments made by kavin.
Yay! I like the contrast of fluttering flute with the violent smashing sounds being triggered by the percussion perhaps?
good luck, hope you win. A great entry!
This rocks hard! Congratulations on finishing this project!
Dynamic, slightly atonal. Nice!
excellent cover!
@jarvis: Squier Tele run thru son Eric's POD XT.
might be a leeetle to experimental for what they want for Ramen, but I liked it! Bethan singing? Really?
O lovely, really good improv!
If that's MiDI,has a great live sound, hard to accomplish. Brilliant playing too. Very impressive,doesn't need vocals, IMO.
Wild mechanistic nightmare with a Magma choir!
this Hardest Blow project is really awesome! Cant wait to hear it all in it's entahrety.
@AFC- it reminds me of early Scorpions, hence the heavy metal observation..heavy metal lite? Ah well, screw genres...
Love how this turned out! I don't get to do heavy metal often, that was fun!
It's hard to get this expressiveness from an ebow, well done!
always dig long drum solos if interesting, and this sure is. DL'd to mess around with later.
Lovely slide playing there.
Drop-D tuning, Cap. And yes BJ the chording is direct influence from NY's unplugged Mr. Soul, you have a keen ear sir.
good boogie.
Really good. like how you worked around the repeating guitar figure. Kind of a Turkish, mid-eastern sound.
Heheh. Classic JMT.