I've gone more acoustic for this piece with bass and guitars courtesy of Jaz Arwand and the lovely, airy sound of Jess Spencer's voice. The song is about empathy or lack thereof.

The album kicks off with one of the gritter, darker songs. The amazing, gravely voice you hear is that of Linda Harrison.

I recently bought the Imperfect Samples [Braunschweig Upright](http://www.imperfectsamples.com/website/samples/braunschweig/braunschweiguprightpiano.php) (Pro) sampled piano for Kontakt after falling in love with the sound of the demos. I have…

Another one from way back when. I've always loved belting this one out...

Track 12 from "They Are Killers" ... originally to be #11, but I decided this was a better one to go out on.

Track 11... I have to stop writing parts that I can't cleanly play.

Trying the distorted/clean guitar pairing... track 10 from "They Are Killers"

This is sort of a skeleton version of this song...I have an intro in mind, but don't have time to write it right now. So named because it's primarily in 7/4.

Not originally intended as an acoustic song...but I couldn't get the big riff at the end to sound right with big distorted guitars, and then I realized on acoustics it might sound like it had a little Days Of The New influence. Track 9 from…

The "chorus" riff started off with me trying to rip off "Shallow" by Porcupine Tree. Don't think I'm really in PT territory anymore though. Track 7 from "They Are Killers"