Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
I found a cassette tape the other day from 1991 which turned out to be live to 2 track demos that Scartaglen did in the studio in preparation for our 3rd and (as it turned out) final album. This tune didn't make the cut for the record but I always…
I found a cassette tape the other day from 1991 which turned out to be live to 2 track demos that Scartaglen did in the studio in preparation for our 3rd and (as it turned out) final album. This tune didn't make the cut for the record but I always…
This is one of those tracks that if you drift off to sleep while listening to it, you're almost guaranteed to have pleasant dreams. The fidelity of the recording is fantastic.
An experiment I recorded yesterday with a rig I put together for more or less ambient sounds using two loopers and nearly every effects unit I own. I have no idea who Clark was but he owned the '58 Harmony Stratotone that I used on this cut. His…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
An experiment I recorded yesterday with a rig I put together for more or less ambient sounds using two loopers and nearly every effects unit I own. I have no idea who Clark was but he owned the '58 Harmony Stratotone that I used on this cut. His…
An experiment I recorded yesterday with a rig I put together for more or less ambient sounds using two loopers and nearly every effects unit I own. I have no idea who Clark was but he owned the '58 Harmony Stratotone that I used on this cut. His…
This is a track I've been working on for quite a while so I am glad to finally have it out of my head.
I have a kind of love/hate relationship with time and its humble functionary, the clock. Ticking, in particular, is something I am ambivalent…
(A remastered version of a Sound 1 Project 3)
I wanted to try something different with this one. The album is so packed with digital-sounding songs that I just needed to mix things up.
It hasn't been possible for me to record or write anything for the last couple months, so I decided mine the archives once again. Here's a set of Irish jigs I recorded in my basement...ok, one ot the tunes is call "Happy to Meet" (the first I…
A little something that came out of playing with the Max4Live content.
The guitar sound, which I'm particularly happy with is a combination of my GT-10, CamelSpace and the M4L buffer shuffler.
Bouncy, with ear candy. Wanted to do something different with this one, keep it from being too predictable. I think I succeeded. I also happen to really like my "squawk, squawk" gtr stabs in the verses.
The original was called "Opportunity." Here's the accompanying words. Hope you like it!
Doug
Winter comes and goes.
Spring between winters.
Boots crunch dry lichens.
Walking on gray stone,
The roots of the earth pulled up through the skin…
A song recorded today. Lyrics by Gordy Macdonald.
Lyrics:
How can I make a promise?
And how can I make it real?
How can you say you love me
When your lips don't move at all?
How can you see it coming?
And how will you know it's me?
How will…
I sent the tracks for this tune to a friend of mine who owns a professional studio. I gave him no instructions on how to mix it, as I wanted someone else's take on the music. He created a very dry, intimate mix, focusing more on the acoustic guitars…
Comments on kirklynch's stuff
This is my Favorite
Cool approach....i like the singing quality to the lead....bending alot of notes....less is more.
i don't think yove missed anything at all,,,you seem to be right where you need to be,, very fine lota depth here loops and all
Love this music.
well-played, beautiful piece!
Great playing and tones.
Every time I Tune in I am Never Disappionted. The Harmonic was seemless. pro- play all the way.......
Why have I never heard this before? It's beautiful.
hey, my heart is dancing!
wonderful, such incredible melodies!
Old World Lovely
This is one of those tracks that if you drift off to sleep while listening to it, you're almost guaranteed to have pleasant dreams. The fidelity of the recording is fantastic.
this song made me pick up my guitar . thanks for inspiring.
This is sooooooo good. Quick thanks to Kavin for bringing my attention back to this Kirk Lynch masterpiece.
This is very cool. I forgot I had listened to this. There's this warm familiarity. Your Palette is very broad.
Agree - it's a score tune - and not just spaghetti westerns (whatever the heck that is). Luv the backwards delay.
cool! I enjoyed this live performance very much.
Every time I hear that guitar first come in, it's so sweet. Kudos, friend.
I have no idea how this is done,its great
The panning on this song sent a chill down my spine - nice work here!
Comments made by kirklynch
Great job. Who would have thought that eight minutes of clock sounds could be that interesting. Love the way it builds.
Great track. Love the rhythms and the accordion melody
How creative! Like it!
Well done. Dig it!
Yeah- I remember this one. Nice!
Nice set man. I don't have a name for the second tune either, but I think the last one is called "Colemans' Jig"
Beautiful! Love the guitar sounds
Aptly titled! Great sounds!
Sweet indeed! Great stuff
Interesting track!. Didn't know you did instrumentals
Nice groove!
HAHA! Hilarious stuff
Wow- nice rocker!
A lovely way to start my day!
Nice energy!
Nice one man!
Fabulous track!
Great job! Really good stuff!
Rock on guys!!
Even better the second time around!